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How to Install Whatsapp for Videocon Mobile Phones The Whatsapp app can be easily installed on nearly any phone no matter what model of phone or version of java you have. Take for example the Videocon V1675. ![]() This budget phone sports a 2.4 inch, 320 x 240 pixel display complete with a qwerty keypad, a card slot capable of up to 2 GB of memory, a 2 MP front camera, both Bluetooth and MP3 support, an FM radio, a 1500 mAH Li-ion battery with 4 hours of talk time, and java functionality. (For more info, refer to this ) To install Whastapp on this and other such Videocon Java phones, all you need is your Videocon Java Mobile phone and a computer. Begin by navigating to this via your computer). Sponsored links ( Note: You must access this link on your computer. If you download these files through your phone browser, you’ll receive an error and won’t be able to download the file). On the page you will notice two hyperlinks you will need to download: one JAR file and one JAD file. First click the top file “ WhatsApp_Messenger.jar”. If you see an ad on your way to download this file (typically on a new tab), navigate to the top right corner of the screen and click the orange “Skip This Ad” button. (Do not click anything else). Once you’re directed to your MediaFire download page, click the green “Download” button to download the file. Close the tab once the download is complete, and click the second file “Whatsapp_Messenger.jad”. Repeat the steps for downloading your JAR file to download your JAD file. You should now have both files downloaded to your. ![]() Mar 2, 2013 - 2 min - Uploaded by king marwanhow 2 download whatsapp 4 any mobile---- 1) open www.whatsapp.com 2) choose your. Locate both your JAD and JAR files in your File Explorer (or other such file directory), and connect your phone to your computer. Simply click and drag your two files into your phone to install the WhatsApp app onto your phone. (Note: Do not open the two files while on your PC. When dragging files to your phone, make sure that they are placed in the same folder, or else it doesn’t work). Finally, launch the WhatApp app on your phone and enjoy. You have successfully installed WhatsApp on your Videocon Java mobile phone. WhatsApp Messenger Introduce is a messaging app available for Android and other smartphones. WhatsApp uses your phone’s Internet connection (4G/3G/2G/EDGE or Wi-Fi, as available) to message and call friends and family. Switch from SMS to WhatsApp to send and receive messages, calls, photos, videos, and Voice Messages. First year FREE!* (WhatsApp may charge thereafter, current price is $0.99 USD/year). WHY USE WHATSAPP: • NO ADDITIONAL FEES: WhatsApp uses your phone’s Internet connection (4G/3G/2G/EDGE or Wi-Fi, as available) to message and call friends and family, so you don’t have to pay for every message or call.* • MULTIMEDIA: Send and receive photos, videos, and Voice Messages. • WHATSAPP CALLING: Call your friends and family using WhatsApp for free, even if they’re in another country. WhatsApp calls use your phone’s Internet connection rather than your cellular plan’s voice minutes.* (Note: you can’t access 911 and other emergency service numbers through WhatsApp). • GROUP CHAT: Enjoy group chats with your contacts so you can easily stay in touch with your friends or family. • WHATSAPP WEB: You can also send and receive WhatsApp messages right from your computer’s browser. • NO INTERNATIONAL CHARGES: There’s no extra charge to send WhatsApp messages internationally. Chat with your friends around the world and avoid international SMS charges.* • SAY NO TO USERNAMES AND PINS: Why bother having to remember yet another username or PIN? WhatsApp works with your phone number, just like SMS, and integrates seamlessly with your phone’s existing address book. • ALWAYS LOGGED IN: With WhatsApp, you’re always logged in so you don’t miss messages. No more confusion about whether you’re logged in or logged out. • QUICKLY CONNECT WITH YOUR CONTACTS: Your address book is used to quickly and easily connect you with your contacts who have WhatsApp so there’s no need to add hard-to-remember usernames. • OFFLINE MESSAGES: Even if you miss your notifications or turn off your phone, WhatsApp will save your recent messages until the next time you use the app. • AND MUCH MORE: Share your location, exchange contacts, set custom wallpapers and notification sounds, email chat history, broadcast messages to multiple contacts at once, and more! *Data charges may apply. Contact your provider for details. --------------------------------------------------------- We’re always excited to hear from you! If you have any feedback, questions, or concerns, please email us at: [email protected] or follow us on twitter: @WhatsApp. Videocon A15 Videocon Industries Limited (BSE: 511389, NSE: VIDEOIND) is an industrial conglomerate headquartered in Gurgaon, India, with interests all over the world, and is an Indian multinational company. The group has 17 manufacturing sites in India and plants in China, Poland, Italy and Mexico. It is also the third largest picture tube manufacturer in the world.The group is a US$4 billion global conglomerate. You can download free games or play free o-nline games for Videocon phones. Videocon A15 is a touchscreen phone manufactured by Videocon, with a resolution of 320X480. Videocon A15 users can download apps for via 9apps.com. 支持[0] 反对[0] 引用. I like your idea. I suggest to take out for the general discussion., australian simulation glasair iii fsx full game free, 32262,. Australian Simulation - Glasair III for FSX - FSPilotShop. Flight Simulator 2004 Flight. Australian Simulation (developers of the flightsim.com product of the year for 2004 – GA single class) is proud to announce the release of their latest product, The Glasair III. 3 Liveries (more free skins coming.) - Complex. Caesar Air Europe cser85wa.zip (118Kb); Avro RJ85 Lufthansa lhrj85.zip (87Kb); Avro RJ85 Northwest Airlines rj852nwa.zip (52Kb); Avro RJ85 Sabena rj85sab2.zip (96Kb); Avro Shackleton AEW 2 RAF shack20.zip (80Kb); Avro Shackleton MR 3 RAF shack30.zip (77Kb); Avro Shackleton MR 3 SAAF shack40.zip (75Kb). In this thread we'd like to track all the 3rd party add-ons that are being updated, not new releases! Below are a list of add-ons we know will work in Prepar3D v4. As you find add-ons that are compatible, please don’t hesitate to post in this thread so we can update the growing list of add-ons and Developers that support P3D v4. Fun fact, in v4 your add-ons are kept OUTSIDE of the P3D directory, allowing for swift re-installs in the future and much better curation of your library! Did you find an add-on that works? Please submit it in a post below! AVSIM Library Where Flight Simulation Enthusiasts Gather from Around the World! AVSIM Library - Search Results|| Searching for: 'do-27' in AVSIM File Library and below. Found 2530 files (253 pages) Jump to page: Category: Germanwings Airbus A319 'Spirit of T-Com' File Description: High detailed Repaint for the great Airbus models from iFDG. For more information about SLAP4U and Stefan Leppek check out his Repaint-Homepage under - Can't find your favored paint? - Do not hesitate to contact Stefan or fill out a repaint-request form on his website. Or is somthing not like it should be? Visit Stefan`s forum on his homepage. ![]() Filename: slap4u_a319_gwi_t-com.zip License: Freeware Added: 30th December 2005, 23:38:52 Downloads: 975 Author: Stefan Leppek Size: 5028kb Category: Germanwings Airbus A319 'Spirit of T-Mobile' File Description: High detailed Repaint for the great Airbus models from iFDG. For more information about SLAP4U and Stefan Leppek check out his Repaint-Homepage under - Can't find your favored paint? - Do not hesitate to contact Stefan or fill out a repaint-request form on his website. Or is somthing not like it should be? Visit Stefan`s forum on his homepage. Filename: slap4u_a319_gwi_t-mobile.zip License: Freeware Added: 30th December 2005, 23:39:52 Downloads: 733 Author: Stefan Leppek Size: 4865kb Category: GHME Fictional airport File Description: This AFCAD file GHME is fictional.The first step to make the transaharian adventure.It's a big runway to have choice for testing all kinds of aircrafts. The nice is called 'Hdidane el Hrami', little elfe of arabian folklor which likes iron.It's just the called of airport and the city, Wakwake do not exist really. Filename: airport_4_ghme.zip License: Shareware, honor system Added: 4th June 2007, 05:40:18 Downloads: 52 Author: Hassan Doukkali Size: 2kb Category: GHMV Fictional airport File Description: This AFCAD file GHMV is for fictional airport localized in Tchad.The city is called Rainbow 'KOUSKOUZAH'.I make this airport for adventurers of sky, to make some transaharian trip from West Africa to Middle East. All runways have 4500 fts or more.Joha el Madi is the name of the airport.cheap idea to do some pilgrinage for muslims people with all types of 'zinc'. Filename: airport_5_ghmv.zip License: Shareware, honor system Added: 4th June 2007, 05:39:07 Downloads: 55 Author: Hassan Doukkali Size: 2kb Category: Glasair III File Description: Texture expansion for the Australian Simulation Glasair III (FS2004 version) This Glasair is currently being built by Tom and Peter Goddard of Nova Scotia, Canada, registration C-FCNX. The sporty maroon and blue lines with racing chequers make this aircraft one of the nicest looking Glasair paint schemes to date. NOTE: You do not need to install this skin if you have version 1.1 or higher of the Australian Simulation Glasair III. ![]() For more information, see the web site at www.aussim.com.au/glasair Filename: texture.fcnx.zip License: Freeware Added: 19th October 2006, 10:08:25 Downloads: 384 Author: Australian Simulation Size: 7603kb Category: Glass Cockpit Mini Panel Version 2.0 Images related to this file: • File Description: FSX Version 2.0 Glass Cockpit Mini Panel has been updated with many new pop-up windows to help improve visibility on the main mini panel screen, plus add additional new functionality. This is an entirely new panel so you do not need to download my previous version. A pop-up Analog Cockpit panel has also been added to this version. A new Pave Tack add-on gauge by Karol Chlebowski has been added that is spectacular. Filename: fsx_glassminipanel_v2.zip License: Freeware Added: 25th October 2010, 23:42:30 Downloads: 456 Author: Bill McClellan Size: 5303kb Category: Glass Cockpit Mini Panel Version 2.0 Images related to this file: • File Description: FS2004 Version 2.0 Glass Cockpit Mini Panel has been updated with many new pop-up windows to help improve visibility on the Mini Panel screen and add more functionality. This is an entirely new panel so you do not need my previous version. A pop-up Analog Cockpit panel has been added to this version. Filename: fs9_glassminipanel_v2.zip License: Freeware Added: 25th October 2010, 23:43:50 Downloads: 401 Author: Bill McClellan Size: 5595kb Category: Glass Cockpit Mini Panel Version 2.1 Images related to this file: • File Description: FSX Version 2.1 Glass Cockpit Mini Panel has been updated with bug fixes and some minor enhancements. A major update of Pave Tack add-on gauge with documentation by Karol Chlebowski has been added to this version that is spectacular. This is an entirely new panel so you do not need to download my previous version. Filename: fsx_glassminipanel_v2.1.zip License: Freeware Added: 5th July 2011, 23:55:04 Downloads: 609 Author: Bill McClellan Size: 5660kb Category: Glastonbury Tor - Somerset UK - FS2004 Scenery File Description: Model of the World Famous Glastonbury Tor. Designed to work with VFR Photo Scenery & VFR Terrain by Get Mapping / Visual Flight IF YOU HAVE Nick Ryall's / VISUAL FLIGHT SOUTH WEST SCENERY INSTALLED DO NOT INSTALL THIS ADDON AS NICK HAS SUPPLIED GLASTONBURY TOR ALREADY WITHIN HIS SCENERY ADDON. Filename: tor.zip License: Freeware Added: 25th October 2005, 14:04:16 Downloads: 749 Author: Justin Wilmott Size: 371kb Category: Global Supply Systems PMDG Boeing 747-400 Version 2 File Description: This is a repaint of a Global Supply Systems Boeing 747-400 (G-GSSA) for use with the PMDG 747 Queen of the Skies. You MUST have purchased a valid copy of the PMDG 747 in order to use this repaint. This repaint does attempt to recreate the freighter version of the 747-400. I DO realise there are major differences between PAX and F versions (especially the size of the upper deck), but due to small demand at my virtual airline British Airways Virtual, I have applied the textures to the PAX model. For the proper model, you'll have to wait for the PMDG 747 Freighter, which is currently in development. This is version 2 of a previous release, and addresses many things that were incorrect (Tail to Fuselage joining, Larger Grey Underside, Registration Font, Gear Door colour, Light Map). Those who have just got version 1 or version 1 and the fix MUST download this file in order to benefit from the changes. Apologies to the inconvienience caused with the release of all previous updates (now deleted). Filename: pmdg_747-400_gss_version_2.zip License: Freeware, limited distribution Added: 20th August 2005, 10:51:49 Downloads: 2910 Author: Gregory Wills Size: 9732kb. 0068 The WTO Deadlocked - Understanding the Dynamics of International Trade, Debashis Chakraborty, Amir Ullah. In the tradition of Amanda Quick, New York Times bestselling author Jo Beverley has won the hearts of readers everywhere with her historical romances set in the Georgian and Regency periods. 'An Arranged Marriage' is the first of Beverley's beloved tales that began her popular 'Company of Rogues' series.Eleanor. In the tradition of Amanda Quick, New York Times bestselling author Jo Beverley has won the hearts of readers everywhere with her historical romances set in the Georgian and Regency periods. 'An Arranged Marriage' is the first of Beverley's beloved tales that began her popular 'Company of Rogues' series.Eleanor Chivenham didn't put much past her vile brother, but even she In the tradition of Amanda Quick, New York Times bestselling author Jo Beverley has won the hearts of readers everywhere with her historical romances set in the Georgian and Regency periods. 'An Arranged Marriage' is the first of Beverley's beloved tales that began her popular 'Company of Rogues' series.Eleanor Chivenham didn't put much past her vile brother, but even she had not anticipated his greedy scheme to dupe a rich earl into mistaking her for a lightskirt! With her reputation in shreds and her future ruined, a defeated Eleanor was forced to agree to a hasty wedding. But marriage to the mysterious Nicholas Delaney was more than she'd bargained for. He doubtless thought the worst of her, but when society gossip soon told her all about his beautiful French mistress, Eleanor tried to act with the cool dignity required in a marriage of convenience. ![]() But how long could she hold out against his undeniable charm -- or the secret desires of her heart? For the sake of family honor, Nicolas Delaney agreed to wed a wronged lady. In truth, such chivalry ran counter to his carefully wrought image of a carousing, dissolute rogue -- the guise so vital to his secret political mission. He hoped to keep his new wife in the background until a spy was trapped, but Eleanor's beauty and fighting wit were impossible to ignore. In fact, she presented quite a challenge to his prowess with women -- and a test of his formidable will! This was me at various points in the book when I wasn't Here's the basic story—maybe you'll see what I mean. Eleanor Chivenham is in a bad situation that just keeps getting worse. Before their parents died, her brother Lionel persuaded them to make him her guardian. She can't claim her inheritance unless she either marries with his consent or turns 25 without shaming herself. She's stuck in his house, with two more years on her sentence, since she’s not meeting anyone worth marrying among Lion OK. This was me at various points in the book when I wasn't Here's the basic story—maybe you'll see what I mean. Eleanor Chivenham is in a bad situation that just keeps getting worse. Before their parents died, her brother Lionel persuaded them to make him her guardian. She can't claim her inheritance unless she either marries with his consent or turns 25 without shaming herself. She's stuck in his house, with two more years on her sentence, since she’s not meeting anyone worth marrying among Lionel's drunken, lecherous cronies. ![]() Which is not to say there've been no offers. Lately, Lionel has been urging her to marry Lord Deveril. The dude's an earl and all that, but something about him makes her feel like she's got spiders in her drawers. So she said she’d rather die. At the time, Lionel let it drop, but she knows he's not giving up. She's lying in her locked bedroom, wondering what he'll try next, while her brother is 'entertaining' downstairs. A maid scratches at the door and offers her a nice hot toddy to help her relax. You'd think she'd see it coming, wouldn't you? But you'd be wrong. Unbeknownst to Eleanor, Christopher Delaney, Earl of Stainbridge, has been drugged as well. Lionel and Deveril had initially offered him a pretty young man. But he had his wits together enough to protest that he was a ladies’ man ('was married, you know'). So Deveril offers him the doxy he has waiting for him upstairs. Stainbridge (a/k/a Kit) can't have people getting the idea that he's a Backgammon player, so up he goes. Eleanor tries to protest as the stranger slaps her and demands that she perform. But the words, 'help!' Just won’t come out of her mouth. She does manage “please,” though. (Because that’s so much easier to say than “stop” and not the least bit ambiguous.) Her last impressions as she drifts into oblivion are the look on his face and the pain Downstairs, Lionel and Deveril talk about how it’s a shame they couldn’t get Stainbridge to show his true colors so they could blackmail him. As for the sacrifice of Eleanor's maidenhead, Deveril's cool. Taking her when she's unconscious wouldn't be that much fun anyway. And now that she's been 'shamed,' she has to marry him. He'll 'enjoy her hatred even more when she's compelled to conceal it.' The next AM, Kit goes back to Lionel’s place to try to make sense of what happened, and he sees a cloaked figure slip out a side door. He follows, and he catches up just as she’s fixing to jump off a bridge. He snatches her down. They recognize each other. Shortly after she comes around, he says, 'You are the woman who wasintroduced to pleasure last night.' Now, me, I'm thinking that statement, coming out of the mouth of a man who slapped and raped me last night, might just make me a little Not Eleanor, though. This gal is the poster child for Flat Affect. She just calmly clarifies the situation. He raped her. She recognizes him, and besides her brother told her who had the 'honor' of doing it. (At this point in the book, I was attributing her passivity and emotionlessness to shock or the near death experience or something, but nope, that's not it.) Anyway, once they have that sorted out, Kit suggests they go back to his place, and she's like, 'sure, why not?' Once there, he insists she have some tea. And because she's had such good experiences with drinks lately, she's all, 'pass the sugar.' Meanwhile Kit decides to tackle the problem square-on. Yes, he really does have a twin, by the name of Nicholas. Who is in Paris at the moment, but Kit pretends he just skipped town after 'expressing concern' about the events of the previous night. (I can hear that conversation now: 'Hey, Kit, I think I raped a girl last night. Bit concerned about it. Off to Paris!' ) Eleanor is skeptical—for a second. Then she's like, 'You mean it wasn't you? So now what do we do?' Kit proposes that she marry Nick (because that's just a super idea.) Exact words: “P 28 He is very kind-hearted and when he learns of this affair he will want to marry you and make all right.” (Eleanor evidently misses the obvious logic problem here. If Nick did it, then he probably wouldn't need to learn about it. But she's not one to question, I guess.) Kit, to his credit, is at least concerned about his unintended victim, and wants to help her. He’s 'not the marrying type' himself, not to mention marrying a woman you raped has to be a little awkward. But if she springs a brat in nine months he’d like to keep it in the family. Still, if she's totally opposed to marrying her rapist he says he will set her up as a widow in some little burg somewhere, with enough money to live comfortably. Eleanor considers her options: 1) Return home and marry Deveril. 2) Go back to the bridge. 3) Marry her 'kind-hearted' rapist. 4) Be a fake widow in some distant, rustic place. Independence, respectability, enough money to get. Maybe some neighbors might suspect a 'widow' with no connections, but with an earl supporting the story it would die down quick enough. Butyou guessed it. Eleanor calmly decides on Door # 3. (Now, if her reason had been that she feared her brother and Deveril could track her down, and as a woman alone she'd be vulnerable, I'd buy it. Instead, she worries that she'd have to tell the truth to any man who wanted to marry her, and no decent man would have her once he learned she'd been raped and faked a marriage to cover for any child she might have. Apart from the obvious fallacy of that reasoning, most recent rape victims would be just fine with the 'no decent man would have her' part. She decides she's better off marrying the rapey slimeball. Because that's clearlythe best option.) Kit tells her more about her husband to be. “He lives for excitement and can be careless of who he hurts.” Eleanor's reaction to that? She's a little dismayed that “Nicky” won’t be the “comfortable helpmeet” she’d hoped for. (Because apparently she couldn't guess this from the fact that he raped her.) Eager to reassure her, Kit reiterates that Nicky is kind and charmingand ' experienced with women.” Me? But Eleanor doesn't even blink about the experienced with women bit. Instead she reflects that men can be different when they’re drunk, and then remembers a nice guy she knew that used to beat his wife. “This was not a reassuring thought,” we’re told. (Um, yeah.) Meanwhile, in Paris, Nicholas gets a letter from Kit, who admits that he sort of accidentally deflowered a virgin the other night and just stopped her from killing herself the next day. He tells Nick that his allowance will be cut off unless he marries the girl. Nick doesn't need the money, and he's ass-deep in espionage, but hey, why not? Got nothing better to do than marry a suicidal rape victim. Eleanor receives a ring and a note from her groom to be that reads: “You must know I share all your feelings and anticipation at the thought of the ceremony to come.” ( Me: Horror? Wow, that’s comforting!' ) Reading on”Please wear the small gift enclosed as a sign of your kindness towards me. Soon I will have the right to give you much more.” Now if I read that last bit, coming from a rapist who is being forced to marry me? But here's what Eleanor thinks: “An ambiguous and alarming note, but Eleanor realized it could be read as expressing devotion.' (Because devotion from a rapist is a good thing.) When Eleanor meets Nick, as usual, she's just all matter of fact. The one time she snaps at him, she immediately apologizes. And when he takes her aside to “their” room (she thinks of it this way), and she looks nervous, he asks what she’s afraid of. ( Me: Are you f-ing KIDDING ME?) Eleanor: “I suppose I am afraid of the abnormality of things.” A bit later, El encounters a slutty Frenchwoman who seems very possessive of Nick. So the next sharp words out of her mouth are catty questions about the whore! (Because God forbid her rapist should cheat on her with another woman.) Mind you, Eleanor still hasn't said one word about the rape. Apparently she's just going to go quietly to the altar without any effort to find out, at least, whether what he did was an aberration, or whether he's in the habit. Me, I'd think that was somewhat important. That night, after the wedding, she tries to put him off. He accuses her of being more prickly than a hedgehog. (Am I really the only one who thinks that, from her POV, that comment is a little outrageous? But of course it doesn't faze Eleanor.) Then Nick smiles at her, and it takes all her resolution not to melt and smile back. (WTF???) OK, I’m going into excruciating detail here. But this is just the first 60 pages. Am I the only one who thinks this woman is several fries short of a Happy Meal? So then, finally, they talk enough that they both realize that Kit has deceived them, that he's the actual rapist and he's let her think it was Nick. Nick points out that he'd prefer it if he could believe the kid might be his (everybody just assumes that she's knocked up). So El agrees to consummate. Because of course there'll be no problem shagging a guy who looks just like the rapist. At least JoBev had the good sense to make it a challenge for her, and not an orgasmic experience. Once they settle at Nick's house, he tells her that he's going out—he's going to go pay a call to her brother Lionel, who, Nick assures her, will not trouble her again. Can I watch?' Or at least, maybe, 'Do be careful.' Eleanor: Shrugs and goes back to thinking about how to do her hair. (I'm not kidding.) Before he married Eleanor, Nick was recruited by his country to seduce a former lover (the French whore) to obtain information about a plot to help Napoleon escape from Elba. The marriage, obviously, complicates matters, but he's determined to go ahead with the plan. [He calls his friends (the Rogues) together and asks them to distract Eleanor while he goes about it. Several of them offer to take his place in the mission instead, but he refuses, even tho his buddy Lucien is described as looking like an angel and supposedly never fails with women. Nope, it's gotta be Nick. By the time we find out there's an actual reason for this, I'm already way too convinced he's a sleazy asshat. Anyway, he doesn't enjoy banging Therese (I guess that's supposed to make it OK), but because he feels guilty, he treats Eleanor like a crapcicle, to the point where she actually has to beg him for a little kindness. God forbid he should just explain to her what's going on, because that might hurt her feelings! When it is finally over, Eleanor does make him cool his heels a bit before she lets him know whether she wants him back, but since she knows from the minute he walks in the door that she's going to say yes, it feels like a stupid game, or a petty punishment. Everybody else treats it like a game, too, and warns her not to let it go too far (because it's all on HER to keep HIM from feeling unwanted or something). Oh, and Nick supposedly agrees to court her while she's trying to make up her mind. So he gives her a couple presents. No spending time with her, actually trying to get to know her. No drawing her out about everything she's been through and how she feels. No rides in the country or flowers or serenades. He's just all, 'Honey, I'm home. I'd like to stick around, but only if you want. Hurry up and make up your mind already.' When she asks him how she can trust him, he asks her if he ever broke a promise to her (you mean other than your wedding vows?). Eleanor tells him to go away and give her a few weeks to decide, and he's actually peeved about it, enough so that he then makes her worry a bit. ] Like some other reviewers, I just didn't get what was so wonderful about this guy. I did connect with Eleanor. I was furious at the things she went through. But her behavior just kept throwing me off the cart. JoBev paints a character who is just so friggin' placid that nothing ever gets to her—the only time she really loses her cool and yells (because Nick wants her to kiss and make up with Kit), he says 'Wow—you must be pregnant.' (Because we all know that if a rape victim gets upset at the suggestion that she ought to 'get over it' so that the perp can be part of the family, it must be hormones.) And of course Eleanor agrees that it must be, and apologizes. Most romance heroines are feisty or at least strongly passionate, so maybe JoBev was just trying something different, which is commendable. But it didn't work—at least not for me. Eleanor is supposedly driven to the point of suicide early in the book, but faced with the trauma of rape, of having to marry her rapist, of then falling in love with her husband only to realize that everyone on the planet knows he's banging an abbess, of being treated like a leper in her own marriage, of having to beg him for basic kindness, [ and ultimately, of being put in harm's way, precisely because she's clueless about the true situation ], she never gets upset (tho she does sink into a rather serious funk late in the book over something else). You get the feeling that even the suicide attempt was just a rational decision. I don't know how the hell I'm SUPPOSED to relate to that. And this book abounds with people who need to get their butts kicked. There's the brother who drugs her and puts a rapist in her bed. There's Deveril who is pulling the strings. There's the French whore who is a vindictive, evil, bitch. There's Stainbridge, who wasn't exactly thinking straight when he raped Eleanor, but afterwards was just so astonishingly insensitive you wanted to strangle him. [ Do we see even one of them get a comeuppance? Nick does go to confront Lionel shortly after the wedding—but the whole conversation takes place off stage, and apparently whatever he said made no impression, since Lionel turns up later to make more mischief. ] Anyway, this gets two stars, mainly because one star is for the rare book that either offends or bores me so much I can't finish. This definitely didn't bore me, and while I was frustrated, I wasn't offended. This is one of JoBev's first published works, and having read and loved LOTS of others, including some that are in my permanent library, I can assure you that this is an aberration. But wow, this one just. So I'm home sick with a terrible cold and thought to myself, self, you need to read something pleasant. Perhaps a re-read of a book you love? Nope, did that yesterday with Goddess of the Hunt. Aaah, LOVE that book. Maybe I'll try one I bought last week at the used book store. Like this one, 'An Arranged Marriage'. Sounds promising. My first inclination that this book was going to be a BIT different was the rape at the beginning. Notice I said rape, not forced seduction. This is a drugged, forced So I'm home sick with a terrible cold and thought to myself, self, you need to read something pleasant. Perhaps a re-read of a book you love? Nope, did that yesterday with Goddess of the Hunt. Aaah, LOVE that book. Maybe I'll try one I bought last week at the used book store. Like this one, 'An Arranged Marriage'. Sounds promising. My first inclination that this book was going to be a BIT different was the rape at the beginning. Notice I said rape, not forced seduction. This is a drugged, forced against her will with others in the room holding her down rape. The heroine has a repugnant brother, who has gambled away his inheritance and seeks to get his hands on Eleanor's. He has set up a marriage for Eleanor to one of his drinking buddies (Eleanor describes him as smelling like a corpse) and in order to get that done he drugs Eleanor. He then drugs another man, Lord Stainbridge - and threatens to expose his unnatural proclivities to society and offers him a valuable jade (threatens and bribes all at the same time, wow!) in order that he will bed his sister. Of course, he tells Lord Stainbridge she is a prostitute. In the immortal words of Bill and Ted, 'Whoa'. As if all that isn't enough, the next day Lord Stainbridge (feeling rather icky, to say the least) goes to the brother's home to spy and catches the woman he raped the night before just as she is about to throw herself into the river. He brings her back to his home, where he spins a tale about his twin brother and how HE was the one who raped her, and that he will make his brother marry her. Lord Stainbridge sends a letter to the Earl of Stainbridge (his twin) and confesses all to him. Then asks him to marry Eleanor and threatens to cut him off if he doesn't. At this point, I'm thinking - woohoo! This is going to be different, maybe a bit twisted, and finally, I can recommend a book to Karla (Mossy Love Grotto) that she'll actually like. Not to be, alas. That first bit must have just been a tease. They get married, have some wooden dialogue, some drawing-room repartee, some really boring sex, then, we find out he's a spy (of sorts) and is expected to recommence an affair with an ex-lover to extract some secrets for the government. So he leaves her at home with all of his school friends (after telling them all to keep her busy, as they ALL know he is off schtupping his ex for his country). No more mention of the gay brother, or her brother. Wait, the gay brother shows up for dinner and is all snarky with everyone for no reason I can tell. Is he a bad guy, or just repressed, misunderstood and miserable? I actually liked a couple of the hero's friends more than I liked the hero. She should have cheated on him with either of them. That might have made the book more interesting. Oh well, when I left these silly people Eleanor was expecting, Nicholas was spending all of his time with his former mistress, and I couldn't have cared less how it all ended up. What happened to her brother in the end? What about the closeted twin? I'll leave that for a day when I have absolutely NOTHING else to read, or for someone to send me a message and tell me. This review has been hidden because it contains spoilers. To view it, Although Forbidden is still my favorite because I loved Frances and Serena as a couple so much (plus Francis is a virgin hero), this is an incredibly effective book. There are so many reasons why this story could have gone the wrong way for me: First and foremost, the hero commits the unthinkable for me in a romance, adultery. However, he has reasons that I could not argue with. He has been asked to cozy up to his former mistress who is actually a morally bankrupt spy, and in order to do that, p Although Forbidden is still my favorite because I loved Frances and Serena as a couple so much (plus Francis is a virgin hero), this is an incredibly effective book. There are so many reasons why this story could have gone the wrong way for me: First and foremost, the hero commits the unthinkable for me in a romance, adultery. However, he has reasons that I could not argue with. He has been asked to cozy up to his former mistress who is actually a morally bankrupt spy, and in order to do that, pillow talk is essential. Also, Eleanor and Nicholas do not have an emotional commitment (this alone would not have been enough for me). Eleanor is dealing with the trauma of having been raped, also living in a household with a brother who is a complete libertine, and never feeling safe. She is way too traumatized to be a 'real wife' to Nicholas initially. Then there's the fact that Eleanor was drugged and offered out to be raped from a person she should have been able to trust, her brother. She is raped by Nicholas' titled brother, who is actually gay, but is hiding it. He rapes her to help preserve his reputation as a heterosexual (there are questions). So you would think, okay, this is a romance? But yes, it is. It's a bit different for a romance. And the relationship between Nicholas and Eleanor develops very slowly. There is a sexual enconter between them on their wedding night, but it's fairly passionless. Nicholas felt that they should have this so that in their mind, the child that Eleanor could be carrying could be her husband's. Okay, I had no quarrel with that. I liked the aspect of seeing this couple come to know each other and build a marriage together on what should have been a very shaky foundation. But somehow, a strong bond develops between them. It is nice to see them in later books as they form a happy family and love each other deeply. Of course, Eleanor has issues with Nicholas' brother. I can't blame her at all. I think he was a loser and a jerk. In a way, he seemed surprised at how much Eleanor despised him. Not only did he wrong Eleanor terribly, but then he begged his untitled brother to marry her in case of consequences. I have nothing against him as a closeted gay person. I just thought he could have been a man and owned up to what he did. At any rate, I really did like this book. @ Ami: 'I spent all night working and 'torturing myself' listening to Jo Beverley's 'An Arranged Marriage.' I think I stuck with it so long because my 50% audiobooks were turning out to be a lesson in 'you get what you pay for,' and I didn't want ALL of them to be one huge waste of money. This book was just flat out awful. If I sat down and wrote out a list of plot devices that I would despise in a romance novel... This book would contain them all. 1) Top of the list: Cheating! However, From K. @ Ami: 'I spent all night working and 'torturing myself' listening to Jo Beverley's 'An Arranged Marriage.' I think I stuck with it so long because my 50% audiobooks were turning out to be a lesson in 'you get what you pay for,' and I didn't want ALL of them to be one huge waste of money. This book was just flat out awful. If I sat down and wrote out a list of plot devices that I would despise in a romance novel... This book would contain them all. 1) Top of the list: Cheating! However, JoBev couches it in the guise of 'I'm noble and just doing it for the sake of God and country.' (I know, I know seton -- you warned me!!;) If the cheating itself (which continued through most of the book) is not bad enough, we get 'treated' to an actual detailed LOVE scene of the hero with the villain mistress! Don't worry, she let's us know he's 'disgusted' between each detailed line of 'kissing her breasts' and running his fingers over her thighs, 'just how she likes it.' Ooww!!) Was that necessary? Did JoBev think my mental picture needed more enhancement in that regard?!! I can't imagine why JoBev felt this scene needed to be included whatsoever. After that... Just throw in some drugging and raping; alluding to (I think?) the homosexual predisposition by the rapist (the brother of our hero) whom I can't figure out if he's a good character or a villain, or whether the (apparent?) homosexual traits are supposed to be good or bad as she depicts them!?! I can't even form a complete thought on it to write a comprehensive sentence about it! It's that confusing. Sheesh!:D 2) Full of underdeveloped cardboard, cliche characters inserted in the story at awkward moments, all of which I could have cared less about. Some kind of 'aunt' (I think?) comes out of nowhere at practically the end of the story who had the most grating personality I can imagine. I'm certain she was supposed to come off as the lovable in a 'wise old cranky' spinster (before her time) feminist sidekick aunt. 3) The hero and heroine spend about 90% of the story apart, and in practically the last chapter where you think they are finally going to spend some 'quality' time together on the same page... The heroine tells him to go away for another three weeks so she can think about it! Consequently, their relationship falls into the author's 'telling' me they should be in love, rather than 'showing' category. 4) The scenes don't feel like they 'track' well. There's just too much going on, without enough explanation to fill the plot holes. Both the main espionage theme is 'jerky' and underdeveloped, and the romance is as well (pick a theme, any theme... But give us at least one that's fleshed out). 5) JoBev absolutely makes sure you know this book is the beginning of a long series. She's all over the place trying to 'set up' future books. (Toward the end, she goes so far as to have an actual scene where the hero sits all their 'friends' down in the drawing room and explains the entire plot to them...and us, I'm sure!! I'm not kidding -- It feels like he needed a dry erase board and flow chart to go with it.:D) Too bad she doesn't focus on writing a good introductory book that makes you want to read the series. On my personal scale of good to bad, this book made 'Flowers From the Storm' look good! I think you all know what that means coming from me. At least FFTS was well-written and 'tracked,' if not a satisfying love story. This book is a failure on every front I can think of, and I'm amazed it came from the same author that penned 'My Lady Notorious.' Complete opposite ends of the spectrum. I usually try not to be so harsh on any given author/book... But this time I just can't find one redeeming aspect to rely on.' I cannot say how glad I am that this wasn't my first experience with Jo Beverley. What a dismal story! The interesting thing is that her general craft and characterization are okay, but the plot is a great big pile of suck that distorts every other element into the suck-pit of amazing suckitude. I mean, if you're going to have a hero that you claim is smart and a natural leader and all, then having a story where he's run ragged by a floozy for months on end, interfering with his relationship with I cannot say how glad I am that this wasn't my first experience with Jo Beverley. What a dismal story! The interesting thing is that her general craft and characterization are okay, but the plot is a great big pile of suck that distorts every other element into the suck-pit of amazing suckitude. I mean, if you're going to have a hero that you claim is smart and a natural leader and all, then having a story where he's run ragged by a floozy for months on end, interfering with his relationship with the woman he loves, is going to undermine everything else you try to tell us about your hero. In short, Nick is a dead loss from start to finish and all his posturing as a sophisticated rogue capable of navigating his world competently and providing for his own is just so much hot air. Indeed, he loses at literally every single juncture where he might have turned the plot around. I'm not sure what Beverley was thinking she was showing, but a guy worth hanging out with, let alone falling in love with, was not it. She might have made up for it with a strong heroine who could have been engaging and maybe redeem our hero, but Eleanor was as, or more, of a doormat than Nick was. I mean the ten-penny villains won against both at every single turn and [ get away with it! That's right, all the bad guys get off Scott-free in the end and with all their ill-gotten gains intact ]. The more I think about it the angrier I get. And that's before you even get to the central motivation for their relationship to begin with. Starting off with a rape had potential for interesting story developments and hardship, but it had only the very weirdest effect on the story. Having drugs involved muted some of the impact, both emotionally and on the plot, and I can go with that, but it was still kind of weird and much of the plot driven from that point doesn't withstand scrutiny or reflection very well. And you know what I really hate? [The idea that these villains may show up later in any way shape or form. They were so flimsy and won so readily that I hate the idea that they may be some kind of master villain of the series. ] I really hope Beverley resists that potentially disastrous impulse. So yeah, a lot of ick and no fun made this a real drag. I'm glad I'm through it and hope this doesn't bode ill for the rest of this series. A note about Steamy: Another part that drained into the sucktic tank. There are a couple explicit sex scenes, but since Nick is still sleeping with his floozy, it's full of shame and doubt and, well, suck. Low middle range of my steam tolerance, but I have a hard time applying the scale through all the suck surrounding it. This book didn't work for me on pretty much any level. The hero is so unlikable (he's cheating on his pregnant wife for most of the book. But it's all for some supposed espionage plot that he's trying to uncover, so that makes it all okay.) He is quite conceited, treats Eleanor badly and hopes she'll get over it someday. He doesn't even really make an effort to get to know her, but gives her a few presents and hopes that makes it all better. Eleanor, the heroine, is so flat as a character it was This book didn't work for me on pretty much any level. The hero is so unlikable (he's cheating on his pregnant wife for most of the book. But it's all for some supposed espionage plot that he's trying to uncover, so that makes it all okay.) He is quite conceited, treats Eleanor badly and hopes she'll get over it someday. He doesn't even really make an effort to get to know her, but gives her a few presents and hopes that makes it all better. Eleanor, the heroine, is so flat as a character it was almost a caricature. She was raped, but pretty much shrugs it off. She's asked to accept her rapist as family and marry his twin brother, and is all, okay, whatevs. She rarely has any emotional reactions at all, and if she does, she immediately apologizes for it. It's entirely unrelatable. The villains don't get any comeuppance at all, most confrontations that would have made the book interesting are done off-stage, and the relationship between our hero and heroine had no rootability to it. Definitely not a book I would recommend. One of the heaviest and most brutal books I have ever read. Heroine gets raped by hero's gay brother, to prove that he's a hetero, and forced to marry hero in case of 'consequences'. And soon after their marriage, there is another scene where the hero practically rapes the heroine, because if she does get pregnant, the child could be her husband's, so they could rest easy knowing that. I don't know how I read the story after that, but I did. It was several years ago. This put put me off Beve One of the heaviest and most brutal books I have ever read. Heroine gets raped by hero's gay brother, to prove that he's a hetero, and forced to marry hero in case of 'consequences'. And soon after their marriage, there is another scene where the hero practically rapes the heroine, because if she does get pregnant, the child could be her husband's, so they could rest easy knowing that. I don't know how I read the story after that, but I did. It was several years ago. This put put me off Beverley, but I still gave her a chance and read the second one of this series. Another 1 star. Never read any of her books after that. This review has been hidden because it contains spoilers. To view it, I listened to this story as a free audiobook download from my library. I thought the premise of the book was completely ludicrous, even by regency smut standards. At the beginning, the heroine is living with her brother who is a Grade A Pervert of the highest class. He throws wild, drinking parties where men and women canoodle under the influence of alcohol and touch each other in bad places. Eleanor doesn’t approve of the goings-on and knows the only reason she is still clinging to her virginit I listened to this story as a free audiobook download from my library. I thought the premise of the book was completely ludicrous, even by regency smut standards. At the beginning, the heroine is living with her brother who is a Grade A Pervert of the highest class. He throws wild, drinking parties where men and women canoodle under the influence of alcohol and touch each other in bad places. Eleanor doesn’t approve of the goings-on and knows the only reason she is still clinging to her virginity is because she religiously locks her door every night. But one night, the pervy brother orchestrates the administration of drugs to both Eleanor and the Earl of Stainbridge so she can't lock her door and neither of them are in complete control of their faculties. The purpose for this being that after being raped by the earl, Eleanor would be ruined and her brother would be in a position to force a marriage to another skeevy man Eleanor otherwise wouldn’t want anything to do with. The next morning, Eleanor decides to kill herself but is fortuitously saved by her rapist who convinces her that he most certainly did NOT rape her and blames the whole thing on his twin brother. Eleanor believes him, befriends him and confides in him that she is fearful about what will happen to her under her brother’s roof. The earl promises to take care of it. The resolution? He arranges a marriage between Eleanor and the man he’s led her to believe is her rapist: Nicholas Delaney, the younger brother. Without questioning all the details, Nicholas goes along with it and on their wedding night learns that Eleanor believes him to be her rapist. Once the record is set straight, they get naked and consummate the marriage but there aren’t any fireworks. In time, Nicholas and Eleanor become intrigued by each other and a period of flirtation follows and the next time they make love, they both dig it and it seems like everything is going to be okay. Except that isn’t the case, because Nicholas also happens to be embroiled in a political espionage case that requires he continue a physical relationship with his French mistress even though his heart isn’t in it and he only wants Eleanor. Nicholas recognizes this as a case where he must “lie back and think of England” so he continues to boink the French mistress through a series of steamy scenes, all the while acting more and more erratic in his behavior to Eleanor (who also happens to be pregnant). One moment he acts like a man who is falling in love with his wife and the next he is rude and nasty to her (to “protect” her from the knowledge of what is really going on). It all ends well and aside from the plot sucking major balls, I don’t have any real fault with the author’s writing style or the development of the story. I’m curious enough to check out something else she’s written, perhaps something that doesn’t start with rape, muddle through some significant issues with infidelity in the middle section and oddly end with a happy ending. Horrible story. It starts off with the heroine being raped by the hero's brother, who was drugged by the heroine's vile and useless brother, after which the hero agrees to marry her for honour or something, although it's advertised to others as an elopement. The hero then spends most of the book in an affair with a French whore because he's some sort of a spy and has to have sex with her constantly in order to uncover some plot involving Napoleon. It's never really explained why the only way he Horrible story. It starts off with the heroine being raped by the hero's brother, who was drugged by the heroine's vile and useless brother, after which the hero agrees to marry her for honour or something, although it's advertised to others as an elopement. The hero then spends most of the book in an affair with a French whore because he's some sort of a spy and has to have sex with her constantly in order to uncover some plot involving Napoleon. It's never really explained why the only way he can solve the plot is to have sex with the Frenchwoman, even though it is horribly humiliating for the heroine (apparently everyone in London knows what he's doing). Then the useless brother gets mixed up in a plot with the French whore, blackmails his sister, and agrees to arrange to have her kidnapped by the whore and her buddies, for no reason that I could figure out. At this point I threw the book against the wall. Funny how Jo Beverley can write some fabulous books that are on my 'absolute keepers' list, and others that are dreadful like this one and Christmas Angel, which was the first one of hers that I read. I disliked that one so much that it took several years for me to attempt another one by Beverley. 0.5 This is one of those times I should have read all the damn spoilers. I could have spared myself. One can never know. I won't tell everything that happens here but I won't bother marking anything as spoiler either. I wish I had been. I am too lazy to list all the things that are horrible in this book and I don't think it deserves more than a reminder of why I hated it. I'll just mention some of the worst. The hero cheats on his wife almost the whole book. I'm sorry, but it stops being 0.5 This is one of those times I should have read all the damn spoilers. I could have spared myself. One can never know. I won't tell everything that happens here but I won't bother marking anything as spoiler either. I wish I had been. I am too lazy to list all the things that are horrible in this book and I don't think it deserves more than a reminder of why I hated it. I'll just mention some of the worst. The hero cheats on his wife almost the whole book. I'm sorry, but it stops being an enjoyable romance when one of the characters does that. And the ridiculous he did it for his country or he gave only his body excuse is insulting. One line is too much, let alone most of the damn book. And the heroine? God, she is even worse, a total doormat. I'll give you just one of the lines this precious snowflake says: 'I only thought it would help me to establish a good relationship with him if I understood things better.' This is about her rapist. I wish someone had warned me. Don't Hate.:D Not sure about this one yet. I am a big fan of arranged marriage books, not sure why! This one did have some aspects that I liked and some that I really didn't. The part I hated the most was the fact that he had to be a Man-Ho for the government. What was that?? That just made me feel weird and didn't start me off with a good vibe for the whole relationship. I think I would've liked the book a lot more without that whole thing in there. Don't even get me started on the whole rape Don't Hate.:D Not sure about this one yet. I am a big fan of arranged marriage books, not sure why! This one did have some aspects that I liked and some that I really didn't. The part I hated the most was the fact that he had to be a Man-Ho for the government. What was that?? That just made me feel weird and didn't start me off with a good vibe for the whole relationship. I think I would've liked the book a lot more without that whole thing in there. Don't even get me started on the whole rape thing! I'd give minus points if I could. Considering this first book in Beverley's Rogues series was actually the third she wrote for it, it's all the worse - badly (under)written, badly plotted, badly executed. Pushed into 350 pages by an author who has no shame in rushing through the most dramatic storylines by telling rather than showing anything about her paper-thin characters, and not even including (because seemingly not knowing) any historical details, this is yet another huge disappointment. Be I'd give minus points if I could. Considering this first book in Beverley's Rogues series was actually the third she wrote for it, it's all the worse - badly (under)written, badly plotted, badly executed. Pushed into 350 pages by an author who has no shame in rushing through the most dramatic storylines by telling rather than showing anything about her paper-thin characters, and not even including (because seemingly not knowing) any historical details, this is yet another huge disappointment. Beverley would have had working ideas - or at least original twists on old ideas - but to start with the rape (both participants drugged/forced) that's sadly often the norm in bodice rippers, and then to have that 'nightmare' just be half a sentence and never dealt with, except in occasional miffed thoughts of the heroine?! Beverley was aware of it, too, because there is one half line where the heroine gets to think that she must be not a lady because she 'dealt' with it so well. Except her enjoying shop windows the morning after, and generally being insufferably pleased with herself despite the text telling us the usual tropes - how she's insecure and worries about the obligatory female rival - makes her my least liked/most hated of Beverley's heroines. She's probably perfectly tuned to the expected audience though, an unremarkable woman that is then called beautiful, doing nothing except tear out facial hair and arrange ornaments in order to incite deep lust and love - why, any woman can do that, so her happy end must make it every reader's, too *bitter* To think this was the book that started it all and reverberated right into the latest one, and then to have not just the heroes this time but the actual plot be less than it seemed in the retelling in sequels? The second spoiler apart from the 'rape' is also told of right in the first pages - the heroes twin brother is gay. And again, the disappointment is so huge because what a smart twist, to make him another victim of the villain, to have them both drugged, to have him have to fuck the supposed whore to prove he's not gay (Beverley read 'Bent'?), then to want to atone! Except - Beverley makes him effeminate and positively amoral in claiming his brother had raped her, then blackmailing his brother. I'm worried she will kill him off in the future - sadly I have half a dozen more books already in the mail to me. But, repeating myself again, there is nothing worse than seeing this huge WASTE of characters and storylines, of the possibility of a truly arranged marriage, how getting-on-the-horse-again right away (ie. Having sex with the husband) also isn't immediately the perfect lust, how homosexuality might really have been handled (Kit is extra stuffy and careful due to permanent fear), how Nicholas is forced to prostitute himself for his country (he's visibly suffering from having to be Therese's toy, but of course everyone blames him). All of it, including actually plausible actions and reactions, due to the usual damn laziness of the editor and a writer who might be better than most others in the field, but never once reaches potential. The ending though turns a disappointing book into her (hopefully?) worst ever. Beverley has the unbelievable bad taste to follow a tedious hero-retells-everything and tediouser heroine-sends-him-away-another-month (there B. Gets worse than Diane Perkins!) with the disgusting ending of her asking him 'wtf did your brother rape me' and then indicating it's all a grand old joke, like not understanding 'erotica' - less the so-called 'rape' (and I'd never have thought I'd see the opposite of a boddice-ripper rape as equally bad), not even that the child might be the gay brothers, but that the whole 'gay' thing is meant to be amusing. And then it ends without a single romantic intercourse, the woman already a mother and yet not even daring to show or feel any want for her husband. Revolting and depressing (- at least me). Trying to tidy up my TBR list, I decided to tackle some books that have been there for a while. I should have known better, damn me. If there were minus point for a book I would probably award them to this book. It's not one of the hateful or hideous one. But you really wonder how it could win any prize. The hate for the heroine and her total lack of worth is all mine, but there's no way to deny that this book is all over the place. It has an incredibly stupid plot, with a totally uneven pacing, Trying to tidy up my TBR list, I decided to tackle some books that have been there for a while. I should have known better, damn me. If there were minus point for a book I would probably award them to this book. It's not one of the hateful or hideous one. But you really wonder how it could win any prize. The hate for the heroine and her total lack of worth is all mine, but there's no way to deny that this book is all over the place. It has an incredibly stupid plot, with a totally uneven pacing, and characters you could gleefully murder. Please, please, read this. And then these: The story lacks foundations, breaks any pact with the readers, and keeps choosing the easy way out. It meanders, steamrolling the heroine in its wake, and it succeeded in boring some readers to tears and probably enraging the rest. The hero is an ass, stupid, conceited, and absolutely worthless in my eyes. Add to this one of the stupidest heroine you can think of, and clearly this spelled disaster to me. But while I can suffer any fool, heroines are my pet peeves. I need strong women of some substance. Here we have a paper thin doormat. Worse she's completely fake. She's drugged by her brother who has her raped. Her rapist denies, unburden himself of her on his brother, and proceed to arrange a marriage to this brother letting her believe he's the culprit. Her husband cheats on her for all the book (for the sake of England, mind you!), abuses her, manipulates her. His friends cover for him (sake of England, remember!), lie to her. Her brother sells her a second time. And not once this idiot reacts to anything. [Why the hell add a rape if you then ignore it completely?] I honestly hate her with a passion. She hasn't suffered enough in my eyes. Sorry.:)Plus, there should have been some serious grovelling here, and it should have been by more than one character.:D The only saving grace was one of the villains, there was a moment where I really was rooting for this character. I'm glad I picked up a couple of the later books in this series before I read this one, because had I read this one first, I'm not sure I would have read further. As it is, I got two in from the library at the same time and will quickly move on, beliving that 'An Arrnged Marriage' is a fluke. I've enjoyed other books by Jo Beverley as well, so I know I often like her stuff. This one, though.it was off from the start. Eleanor's reprobate of a brother hatches this elaborate and senseless plot to I'm glad I picked up a couple of the later books in this series before I read this one, because had I read this one first, I'm not sure I would have read further. As it is, I got two in from the library at the same time and will quickly move on, beliving that 'An Arrnged Marriage' is a fluke. I've enjoyed other books by Jo Beverley as well, so I know I often like her stuff. This one, though.it was off from the start. Eleanor's reprobate of a brother hatches this elaborate and senseless plot to get her raped (I'm sorry, I still don't get why he did that). The Earl of Stainbridge was the culprit, though he was drugged, and the next morning he returns to the scene of the crime to find Eleanor about to kill herself. He rescues her, takes her home with him, and tells her that his twin brother, Nicholas, was the one who raped her. She agress to marry Nicholas, believing he raped her. And yet she begins reacting to him as a man from the second they meet. As soon as he explains the truth to her, they easily make love, and she's already hoping that he won't spend so much time away from her (as his brother suggested would be the case). Now, as if it isn't bad enough that she's already put her traumatic rape and suicide attempt behind her, Nicholas treats her badly. Oh, he was nobly sacrificing himself for king and country, on the altar of a whore he was trying to extract information from. He even refused to make love to his wife or even treat her very well because he didn't feel right doing that while he was with this other woman. Infidelity aside (and honestly, that wasn't the part that bothered me the most, though I understand why it got to others), he treated her badly. He lied to her, kept his distance from her, and almost intentionally made it seem as if she didn't matter to him. Now, I ask you: Why did she fall in love with him? Jo Beverly - “An Arranged Marriage” (Audiobook: Narrated by Jill Tanner: Reader rating = 2* (very little voice change between characters, men sound like women!) (Review at the “I’m currently reading... “ thread (Amazon Romance Forum) that Dina had copied to Goodreads (I didn’t even know it at the time! Handy though -- saves me a lot of work that I probably would not have done.;) From K. @ Ami: 'I spent all night working and 'torturing myself' listening to Jo Beverley's 'An Arranged Marriage.' Jo Beverly - “An Arranged Marriage” (Audiobook: Narrated by Jill Tanner: Reader rating = 2* (very little voice change between characters, men sound like women!) (Review at the “I’m currently reading... “ thread (Amazon Romance Forum) that Dina had copied to Goodreads (I didn’t even know it at the time! Handy though -- saves me a lot of work that I probably would not have done.;) From K. @ Ami: 'I spent all night working and 'torturing myself' listening to Jo Beverley's 'An Arranged Marriage.' I think I stuck with it so long because my 50% audiobooks were turning out to be a lesson in 'you get what you pay for,' and I didn't want ALL of them to be one huge waste of money. This book was just flat out awful. If I sat down and wrote out a list of plot devices that I would despise in a romance novel... This book would contain them all. 1) Top of the list: Cheating! However, JoBev couches it in the guise of 'I'm noble and just doing it for the sake of God and country.' (I know, I know seton -- you warned me!!;) If the cheating itself (which continued through most of the book) is not bad enough, we get 'treated' to an actual detailed LOVE scene of the hero with the villain mistress! Don't worry, she let's us know he's 'disgusted' between each detailed line of 'kissing her breasts' and running his fingers over her thighs, 'just how she likes it.' Ooww!!) Was that necessary? Did JoBev think my mental picture needed more enhancement in that regard?!! I can't imagine why JoBev felt this scene needed to be included whatsoever. After that... Just throw in some drugging and raping; alluding to (I think?) the homosexual predisposition by the rapist (the brother of our hero) whom I can't figure out if he's a good character or a villain, or whether the (apparent?) homosexual traits are supposed to be good or bad as she depicts them!?! I can't even form a complete thought on it to write a comprehensive sentence about it! It's that confusing. Sheesh!:D 2) Full of underdeveloped cardboard, cliche characters inserted in the story at awkward moments, all of which I could have cared less about. Some kind of 'aunt' (I think?) comes out of nowhere at practically the end of the story who had the most grating personality I can imagine. I'm certain she was supposed to come off as the lovable in a 'wise old cranky' spinster (before her time) feminist sidekick aunt. 3) The hero and heroine spend about 90% of the story apart, and in practically the last chapter where you think they are finally going to spend some 'quality' time together on the same page... The heroine tells him to go away for another three weeks so she can think about it! Consequently, their relationship falls into the author's 'telling' me they should be in love, rather than 'showing' category 4) The scenes don't feel like they 'track' well. There's just too much going on, without enough explanation to fill the plot holes. Both the main espionage theme is 'jerky' and underdeveloped, and the romance is as well (pick a theme, any theme... But give us at least one that's fleshed out). 5) JoBev absolutely makes sure you know this book is the beginning of a long series. She's all over the place trying to 'set up' future books. (Toward the end, she goes so far as to have an actual scene where the hero sits all their 'friends' down in the drawing room and explains the entire plot to them...and us, I'm sure!! I'm not kidding -- It feels like he needed a dry erase board and flow chart to go with it.:D) Too bad she doesn't focus on writing a good introductory book that makes you want to read the series. On my personal scale of good to bad, this book made 'Flowers From the Storm' look good! I think you all know what that means coming from me. At least FFTS was well-written and 'tracked,' if not a satisfying love story. This book is a failure on every front I can think of, and I'm amazed it came from the same author that penned 'My Lady Notorious.' Complete opposite ends of the spectrum. I usually try not to be so harsh on any given author/book... But this time I just can't find one redeeming aspect to rely on.' This review has been hidden because it contains spoilers. To view it, I would rate this book above the 3 star, but not quiet a 4. The premise of this book really interested me. It is the story of a man caught in a situation in which his loyalty to country demands he 'cross a line' for that cause, and as a consequence, betray a relationship which with this start, seems doomed to fail. Nicholas, a gentleman with wanderlust yet deep loyalties for his long time 'company of rogues', an abiding commitment to justice and love of family, but a roguish reputation with the I would rate this book above the 3 star, but not quiet a 4. The premise of this book really interested me. It is the story of a man caught in a situation in which his loyalty to country demands he 'cross a line' for that cause, and as a consequence, betray a relationship which with this start, seems doomed to fail. Nicholas, a gentleman with wanderlust yet deep loyalties for his long time 'company of rogues', an abiding commitment to justice and love of family, but a roguish reputation with the ladies makes an interesting set of characteristics for a 'romance' hero. Enter the heroine, who has long been at the mercy of her misogynistic father and brother. She is 'ruined' by the hero's brother in a situation set up her greedy, self centred brother. At the fairly heavy handed machination of the ruin-er, our hero marries the potentially pregnant Eleanor. Smooth sailing for our couple? Weeelll, maybe not. You see Nicholas has been recently enlisted to be secret agent for the crown specifically to re-establish an affair with his former mistress, a wicked French courtesan. I was very sure that when Nicholas enlisted his 'company of rogues' to entertain his wife while he dallied, that I was not going to be very sympathetic to him. Ha, I thought, Nicholas you are so deeply in the pit dug by his own arrogant thinking like, he would just 'make it up to her'! We see that (and hope) that his rationalization 'after all it wasn't a love match' will come back to bite him. Yikes I could have cheerfully throttled him for Eleanor. Suffice it to say, my sympathies being firmly in our heroine's camp, I was not inclined to give Nicholas a pass just because of the service he was performing for his country. I wasn't convinced that the author could redeem this fellow. But I a must confess, she did a beautiful job of keeping with the character, by allowing us to see his dawning realization that this was costing him something more than he at first calculated and subsequently deeply wanted- the love and regard of a very good woman. Grovel factor? Not bad at all! If you are up for a lot of angst, and a hero who needs to learn a thing or two about the woman he loves, this might be the read for you. In this start of her Rogue series, our regency hero marries the woman his brother raped out of noblesse oblige and falls for her but he is also a spy and has been ordered to sleep with an eeeeeeeeeeeeevil Frenchwoman (for England!!!) to get info out of her. My advice to heroine would be to get an STD panel asap. Sounds insane yet I love it and it's oddly not particularly melodramatic. Actually, it is such an utter delight. I think it's going to be my favorite Beverley book by far. But then I oft In this start of her Rogue series, our regency hero marries the woman his brother raped out of noblesse oblige and falls for her but he is also a spy and has been ordered to sleep with an eeeeeeeeeeeeevil Frenchwoman (for England!!!) to get info out of her. My advice to heroine would be to get an STD panel asap. Sounds insane yet I love it and it's oddly not particularly melodramatic. Actually, it is such an utter delight. I think it's going to be my favorite Beverley book by far. But then I often find that the author's earliest books are the best, before they get vastly popular and thus pressured to be cookie-cutter. I ship Eleanor/Nicholas like mad, and I do give huge points to their relationship being very unusual for a romance novel (neither constant bickering nor some mad making out, but a sort of an irresistible attraction hindered by secrets and hurt and closeness that is only growing by teeny millimeters). Plus, you have no idea how refreshing it is to have a romance novel where things are hinted at and not spelled out and you have to interpret little things - the fact that the hero is so controlled and tries his best to hide his emotions certainly helps, but there is a general 'less is more' attitude in this book which really works. And aaaaaah, the angst, the delicious angst, because he's fallen in love for the first time ever and she's his wife but he has to push her away to protect her and seduce the woman he hates. I really like Eleanor, who has a lot of grace in an untenable situation, but I confess the book is made for me by Nicholas - smart, control freak who is terrified about being emotionally out of control about his wife, angtttttttty spy, intense, screwed-up, manipulative, good, occasionally funny is pretty much a deadly combo. Out of various secondaries who wander through the books, Lucien is my favorite. I think I am going to get to his book next:). In some ways this was a strange re-read for me. Keep in mind the first time I read this book I was in high school/college somewhereaka it’s been over 10 years. I remember loving this series and the entire Company of Rogues. Other than that thought I remember little to nothing about this series, thus my excitement to read this one again. Now I’m left in something of a quandary. I enjoyed my read well enough, the story does flow along, but there are a number of plot devices/character quirks in th In some ways this was a strange re-read for me. Keep in mind the first time I read this book I was in high school/college somewhereaka it’s been over 10 years. I remember loving this series and the entire Company of Rogues. Other than that thought I remember little to nothing about this series, thus my excitement to read this one again. Now I’m left in something of a quandary. I enjoyed my read well enough, the story does flow along, but there are a number of plot devices/character quirks in this book that bother me. It’s definitely not a 5 star read in my head anymore, but I’m certainly torn between a 3 and 4 star rating. Eleanor Chivenham is trapped in a situation she knows can truly only end in disaster for her. Her brother is a debauched horrible man, but unfortunately he controls the access to her inheritance until she is twenty-five. As long as she remains under his care and her reputation above reproach she will inherit her portion, if not it would go to her brother. But all of that is two years away and Eleanor knows her brother has to have some sort of dastardly plot up his sleeve. She never expected it to be drugging her and having her forcibly raped though. With her future ruined and any hope of independence dashed Eleanor’s prospects look bleak, death, dishonor, or an unwanted marriage to the most loathsome man of her brother’s acquaintance. A chance encounter with the man she remembers as her attacker on the street lends one other possible option however. Lord Christopher Delaney tells her it was his twin brother who was responsible for her attack and that he will marry her and take care of any offspring that might result. Nicolas Delaney has been out of the country for months. He’s always had a bit of a wandering spirit and as a younger son (if only by minutes) there was nothing stopping him from his travels. In Paris though he finds himself stumbling into a plot to free Napoleon from Elba, for king and country Nicolas is more than happy to step in and take a crack at playing spy. A letter from his brother explaining how Nick needs to come home and essentially clean up his brothers mess by marrying a girl Kit had been drugged into raping throws a slight monkey wrench into Nick’s plans. But family loyalty will win out and Nick will just have to find a way to make it all work. Ok first of all the fact that this book starts with a pretty awful rape doesn’t bode well for my normal tastes, especially because Kit is definitely a victim of it all as well. This isn’t a case of vile betrayer rapes young girl before she can be spirited away by our hero and protected henceforth. I admit to a fair bit of sympathy for Kit to start out this story since I read a lot of MM and always cheer for our gay boys to find some happiness. But god Kit makes me want to pull my hair out!!! I mean really??? You’re going to blame your twin brother for you mistakes and then expect Eleanor to just be ok with everything and you after she finds out the real truth? Kit is so completely clueless and insensitive by the end of the book I found myself actively disliking him despite feeling like I was never really clear what his motives were about anything. I never could figure out who he really was and what he wanted out of life. Nick was by trade a lot clearer of a character. Just as likely to make me want to pull my hair out since in his head everything in the world rested on his shoulders and god forbid you ask for him. Sure you called in all your old school chums to help out, but they were just supposed to sit on the fringes and protect the little woman while you did the dirty work. Which brings me to my next little point I HATE cheating in stories! Sure we never really see Nick with the slut hoe but you just know he’s spending months of time sleeping with little miss nasty brothel owner. Sure he’s doing it, again, for king and country, but doesn’t make me any happier. That being said I do like Nick and Eleanor together as a couple. Eleanor is hyper rational at times, and doesn’t react how one would expect a historical romance heroine to react nine times out of ten, but I really enjoyed the banter between these two on the moments Nick would let his guard down. Eleanor really never reacts emotionally to much of anything after her first sort of attempt at suicide. She never really snaps at Nick or takes him to task over anything instead accepts everything with a rational logic that makes it all work in her head. She never even really deals with her nightmares or anything either. They’re more an after thought of, oh yeah, she was raped, guess maybe she should have some sort of lingering side effect. I don’t know. Like I said this one was strange for me. I enjoyed it while I was reading, but the more I put my thoughts together after the fact the more things bug the heck out of me. Like for instance: [ You’ve spent the entire plot of this book telling us that everything Nick is doing is to save the country, it’s ok he’s cheating he’s a patriot, only to pull the rug out from under his heroism when Therese reveals it all to be her own little machinations and that the plot isn’t really all that real. I’m sorry?!?! If you’re going to have my hero doing something so sleazy for so long at least let it mean something. You could have had the same exact result without making him look like a dupe. Therese finds out at the last minute she’s been set up and while he gets the plots she steals him away as revenge. Big plot foiled, Nick’s a hero, and it all means something. Now I can forgive him a little better, ] because I do like Nick as a character. I did really love all the other members of the Company of Rogues and the times spent with all of them were really the best parts of the book. The introduction to them all at the dinner party was adorable and I loved how Eleanor was inducted into their little gang. Like I said earlier, I remember loving these books and I have to think that some of the stupid elements of this one disappeared in later books for me to look back on them so fondly. I can’t imagine my younger self as that completely oblivious. Still it’s possible I guessI mean I certainly didn’t remember how this one ended. I mean that last page probably pissed me off more than any other. [Again I’m sorry??? We’re all back together and everyone’s happy and we’re going to bring up the rape again!!!!!!! ] Now I really have to read the next book in the series and see where it goes. I can only hope it returns to the light I loved. I think I’m going to ultimately have to rate this one 3.5 stars, but round it down for GR since I’m a little annoyed at the stupidity of certain things. *MAJOR SPOILERS* The reviews on this book are proof that readers have completely different tastes in their 'romance' novels. Note the parentheses around the word 'romance.' I, for one, didn't consider this book to be about romance. To anyone thinking about reading this book, please be aware that the main characters, Eleanor Chivenham and Nicholas Delaney, enter into an arranged marriage because Nicholas' twin, Christopher Delaney, the Earl of Stainbridge (Kit), rapes Eleanor at a party held by El *MAJOR SPOILERS* The reviews on this book are proof that readers have completely different tastes in their 'romance' novels. Note the parentheses around the word 'romance.' I, for one, didn't consider this book to be about romance. To anyone thinking about reading this book, please be aware that the main characters, Eleanor Chivenham and Nicholas Delaney, enter into an arranged marriage because Nicholas' twin, Christopher Delaney, the Earl of Stainbridge (Kit), rapes Eleanor at a party held by Eleanor's brother. Both Eleanor and Kit are somewhat set up - both having been drugged by her brother and his accomplices. The next morning Kit realizes that something dark happened the night before and as he is out walking to try and get his head cleared, he sees Eleanor preparing to jump in the river and drown herself. He stops her from jumping and pleads with her to allow him to try and make things right. Because Kit prefers men over women, he calls on his twin brother, Nicholas, to come home from Paris and marry Eleanor. Nicholas will do just about anything for his twin so he comes home asap and marries Eleanor and consummates the marriage the first night they are wed. To Nicholas' credit he is very careful with Eleanor and tries his best to make sexual intimacy pleasant in order to help her overcome her fears as a result of the rape. In fact, although the two have nothing except a marriage in name, Nicholas is in some ways everything one could want in a husband. He is kind, considerate, makes sure Eleanor is set up with homes, nice clothes and future finances. However, he makes no commitment to be faithful (unless of course one counts marriage vows). Nicholas has always been a traveler and he makes no promise to stick around other than to make sure Eleanor, who has been totally ruined, has a husband and the necessities of life including a very precious commodity to women like Eleanor in those days - freedom. CIRCUMSTANCES WHICH SET UP THE MAJOR PROBLEM IN THE MARRIAGE: Before Nicholas knew about Eleanor, he was sucked into helping infiltrate a group of people who are attempting to get Napoleon back in business. Chief in this group is a former mistress of Nicholas' - Therese Bellaire - a beautiful and evil woman who is known for setting up brothels and has come to London to set up two exclusive brothels - one in town and the other in the country. Nicholas' job is to make Therese his mistress for as long as it takes to find out the truth of the scheme and do whatever he can to foil the plans to set Napoleon back in play. At this point, the story line became very unsettling to me. Due to Nicholas' sweet personality and kindness to Eleanor, she has begun to fall for him. However, he is 'never' around and only allows himself to make love to her one time after their wedding night because he feels guilty having Therese. As long as he is with Therese, he feels he must stay away from Eleanor for her own good. And, in point of fact, I will give him credit for that much. This is where his friends, the Company of Rogues enter in: Nicholas has a dinner party wherein he introduces all of them to Eleanor. Following the dinner, he explains to the Rogues that he would like for them to be available to escort and protect Eleanor during the coming weeks - which turn into long, long months. Of course, Nicholas doesn't explain to Eleanor what he is doing nor the fact that he is in fact 'repulsed' by Therese. However, Eleanor hears rumors and talk and understands that Nicholas has another woman in his life. The situation begins to wear everyone down even the poor little Rogues. Eleanor, wimp that she is - that's right - she has absolutely no backbone, will not address Nicholas so the times they are together are very strained. Nicholas, of course, never offers an explanation until waaaaay too late. Once Eleanor realizes that Nicholas is doing all this as a 'job' it is literally amazing how understanding she becomes. In fact all who are involved excuse this horrible thing that is going on because Nicholas has such good intentions - saving his country, don't you know! There are some details which are really revolting. At one point, Therese and her cohorts have Eleanor and a family friend kidnapped. Nicholas knows they have been kidnapped and still goes to Therese at the brothel continuing to play along and do his 'job' even becoming aroused by the 'repulsive' Therese knowing she is holding his wife and her friend. Yes, he is there to try and find Eleanor but really? I could go on and on about this garbage to no avail. It would be nice to say that at some point Nicholas gets what is coming to him and Eleanor gets past her stupidity before the doggone book is over! Yes, eventually lessons are learned but in my opinion, Nicholas did not get 'enough' of his just due and most of this is because Eleanor and Nicholas' friends are just too willing to act as though all the garbage Nicholas was involved in was okay. Yes, but too little, too late! The book is 95% complete. Way too late!! So, if you enjoy reading a book about a severely strained marriage between two people who didn't know one another at the beginning of their marriage and aren't given any quality time together to build upon a romance and where the Main Guy has a full time mistress for most of the book, I suppose this is the book for you. Realize this - the strain in the marriage lasts most of the book! Apparently it was the book for many people - there are quite a few 5 and 4 star ratings. I wouldn't have bothered writing a review except for my hope that it might help me get the bad taste out of my mouth/mind. Do I feel better after writing this review? If it helps one person in their decision to read or not to read, it will have been worth the effort. I know it is hard to like this book because of the unusual plots. It rubs people the wrong way and I can well imagine why it pushes people's boundaries just a tad too much. My problem with the book however, was not with the rape or the infidelity. I think it is a book with good writing but poor plot development and characterization. As I read on I actually appreciate Jo Beverley's writing. But writing about such explosive plots, the book is shockingly bland. I have read reviewers who talk about I know it is hard to like this book because of the unusual plots. It rubs people the wrong way and I can well imagine why it pushes people's boundaries just a tad too much. My problem with the book however, was not with the rape or the infidelity. I think it is a book with good writing but poor plot development and characterization. As I read on I actually appreciate Jo Beverley's writing. But writing about such explosive plots, the book is shockingly bland. I have read reviewers who talk about this book being to angsty. I wonder, where is the angst? Yes the rape and infidelity are really tough subjects. But they are simply underexplored. It seems an awful waste to incorporate such plots to piss off 90% of the readers and to miss out on capitalizing such heavy-weight plots. I think her chracterization is off too. This is true for all 3 major charcters, the hero, the heroine and the rapist. As for the 'rogues' well, they could all be the same guy. You hardly have a face for them. I think the characters behave strangely in this book. The person who should be angry is not angry, the one who should be disgusting is actually not so disguting, the person who should not get married so easily married someone he hardly knew in a blink of an eye just because his brother said so. I really did not have any problems with the plots. They are the reason I read the book. I wanted to see how a writer would approach such taboos in a romance novel. But the book is a disappointment in plot development characterization. The intriguing plots are just wasted. So is Beverley's writing. A few things that I kept wondering about reading this book: 1. The 'violent' part is not explicit. The angst is very much downplayed. I keep feeling a bit disconnected. Considering the magnitude of the events, the characters are extremely cool-headed about the entire business. The rapist is not exactly a villain. The hero is taking this 'my brother asked me to marry the woman he raped' thingy in strides (should we pat him on the shoulders?). The heroine very quickly made peace with the fact that she had to marry her 'rapist' who is actually the rapist's brother. And nobody was screaming or flipping off. The rapist offered to help and saved the heroine from killing herself. The hero tied himself to a woman who has been raped by his brother. And the heroine actually began to like the hero. And all of this happened without anyone even batting an eye. I mean, how is that humanly possible? Then the heroine had problems with her husband having a 'mistress'? Wait, she decided to marry in such a circumstance and had problems with extra-marital relationships? Woman, priorities! I am not really appalled by the events, which in itself, is appalling. I like the hero better than the heroine. I know people have problems with his 'infidelity' but honestly it was not as if he was in love with heroine. Maybe I am of loose morals, I don't know. Shxt happens. Sometimes it is about how you overcome such things as a couple that makes the love story. It cannot always be picture-perfect. Some reasoning really failed to convince me. Eleanor becoming pregnant after the rape for example, how could they know that she was pregnant after scarely a month? It wasn't as if there was a Durane Reade down the block. And Nicholas sleeping with her the first time because then 'there may be a chance that the baby is his'. I mean, the rape happened a few weeks ago before the wedding night. It really does not take a genius to figure out whose baby it is. Or am I being to scientific here? The title of this book was what drew me to it (I’m a sucker for ‘marriage of convenience’ plots). Then, there was the fact that I’ve read a few Jo Beverley novels which I thought pretty readable. An Arranged Marriage starts off dark and sleazy. Eleanor is orphaned and dependent upon her vile brother Lionel (to whom she will forfeit all her inheritance if she either marries, or leaves his household before she’s twenty-five, still a long way off). Lionel holds nightly orgies at his house, and Elea The title of this book was what drew me to it (I’m a sucker for ‘marriage of convenience’ plots). Then, there was the fact that I’ve read a few Jo Beverley novels which I thought pretty readable. An Arranged Marriage starts off dark and sleazy. Eleanor is orphaned and dependent upon her vile brother Lionel (to whom she will forfeit all her inheritance if she either marries, or leaves his household before she’s twenty-five, still a long way off). Lionel holds nightly orgies at his house, and Eleanor, having locked her bedroom door, wakes one night to find that her maid has been bribed to let in not just Lionel, but his decrepit and even more evil friend, Lord Deveril (whom Lionel has been urging Eleanor to marry). They’ve brought along a drunk Lord Stainbridge, who proceeds to rape Eleanor. She’s been drugged (by that same disloyal maid) so can see and feel everything but cannot move a muscle to defend herself; and Lord Stainbridge (who is gay, or so we’re led to believe) is so drunk, he thinks he’s having sex with a whore. Why a man who’s gay might get turned on by any woman puzzles me, but). This being Regency England, Lord Stainbridge—Kit, to friends and family—keeps his homosexuality under wraps, and merely says he ‘cannot marry’ because he is mourning his late wife, who died in childbirth. So who must marry the compromised Eleanor but Kit’s twin brother, Nicholas? It gets worse). Nicholas, who’s abroad in France, has to marry her because Kit writes to say so, adding that he will cut off Nicholas’s allowance if Nicky doesn’t. ( Never mind that Nicky later tells his new bride that he has no need of the allowance Kit gives him—he makes a good deal of money by other means). Those means include helping the government, right now in foiling a plot to bring Napoleon back from Elba. One of the conspirators here is Nicholas’s ex-lover, the beautiful and devilish Therese, and Nicholas’s boss has a fine plan in mind: Nicholas must seduce Therese. Which Nicholas, though already married to Eleanor and falling in love with her, decides he must do this for King and Country. And so they go along, Eleanor thinking Nicholas is with his mistress ( so what if what he’s doing with Therese is a manifestation not of lust or love but patriotism), Kit trying to be protective of Eleanor and finally offering to take care of her should Nicholas desert her, and sundry friends of Nicholas trying to help keep the couple together. Stupid, hard-to-swallow motivations, a lack of realism ( Nicholas and Eleanor seem to pretty easily get over the fact that Kit had raped her), and just too distasteful for me. The saving grace is that Nicholas is mostly, when he’s with Eleanor, portrayed as a rather sweeter and kinder hero than the average alpha male of most romance novels. That doesn’t take away from the fact that he’s an utter idiot to obey his boss’s dumb orders, or to happily accept Kit’s preposterous command. (Another small but irritating thing that riled me was the lack of attention to detail. A newborn baby, sleeping with her bottom in the air? And 10+13+3+5 days, equal to 21?) Very avoidable. I'm particularly fond of marriage of convenience stories and so I've been looking forward to this one for a long time now. Especially because I've read almost all the others in the Company of Rogues series. Eleanor Chivenham didn't put much past her vile brother, but even she had not anticipated his greedy scheme to dupe a rich earl into mistaking her for a lightskirt! With her reputation in shreds and her future ruined, a defeated Eleanor was forced to agree to a hasty wedding. But marriage to t I'm particularly fond of marriage of convenience stories and so I've been looking forward to this one for a long time now. Especially because I've read almost all the others in the Company of Rogues series. Eleanor Chivenham didn't put much past her vile brother, but even she had not anticipated his greedy scheme to dupe a rich earl into mistaking her for a lightskirt! With her reputation in shreds and her future ruined, a defeated Eleanor was forced to agree to a hasty wedding. But marriage to the mysterious Nicholas Delaney, with his casual elegance and knowing smile, was more than she'd bargained for. He doubtless thought the worst of her, but when society gossip soon told her all about his beautiful French mistress, Eleanor tried to act with the cool dignity required in a marriage of convenience. But how long could she hold out against his undeniable charm-or the secret desires of her heart? For the sake of family honor, Nicholas Delaney agreed to wed a wronged lady. In truth, such chivalry ran counter to his carefully wrought image of a carousing, dissolute rogue-the guise so vital to his secret political mission. He hoped to keep his new wife in the background until a spy was trapped, but Eleanor's beauty and fighting wit were impossible to ignore. In fact, she presented quite a challenge to his prowess with women-and a test of his formidable will! I was a bit afraid when I saw the initial misunderstanding but fortunately Beverley solved that rather quickly. I did feel Nicholas was a bit too good to be true, marrying on his brother's request, immediately caring for his bride. I think they too brotherly love a bit too far, no matter how Nicholas was used to solving his brothers problems. Nicholas is involved with the secret services and that collides with his marriage as he has to seduce a spy to uncover a plot to free Napoleon Bonaparte. This ended in another misunderstanding but once again I didn't feel it was too much. Beverley handles these beautifully, her characters show intelligence and rationality in face of adversity and I cared wether they would manage to find a happy ending or not. I really liked how Nicholas treated Eleanor, despite his peculiar bahaviour he was always repectful and caring and even bringing his friends to suppoert her when he couldn't. It did puzzle me a bit that Eleanor never confronts her true ravisher about the why. We know what went on in his head but Eleanor and Nicholas never mentioned it to him. I did like it however that Eleanor confronted her husband about his dealings with the other woman and how he disappeared for so long. It was also refreshing that she didn't punish him forever and ever, she just needed time to deal with everything and when she did she accepted him. This was the first book I've ever read by Ms Beverley and I was unfamiliar with either her name or her work when I picked it out at random. So, no expectations (apart from an enjoyable read) and no preconceptions. The rape of Eleanor in the first few pages was unpleasant and confusing. This confusion grew with the circumstances of her improbably speedy recovery from the trauma -- even allowing for her being drugged during the ordeal -- and the facile appearance of a handsome and dashing gallant w This was the first book I've ever read by Ms Beverley and I was unfamiliar with either her name or her work when I picked it out at random. So, no expectations (apart from an enjoyable read) and no preconceptions. The rape of Eleanor in the first few pages was unpleasant and confusing. This confusion grew with the circumstances of her improbably speedy recovery from the trauma -- even allowing for her being drugged during the ordeal -- and the facile appearance of a handsome and dashing gallant who offers her marriage and a way out of her moral ruin. The confusion turned to disbelief with the all-too-smooth consummation of the marriage. I might have given up at this point, but the story of Nicholas' mysterious comings and goings caught my interest. The effect of his clandestine disappearances on Eleanor (and on him) took second place to the story of the plots and conspiracies in which he was enmeshed. At some point in the book, the mystery and suspense edged out the romance. I have no idea whether this is what Ms Beverley had in mind when she wrote the novel. As a debut work, deserves to be rated highly. The narrative is well paced and populated with a few memorable characters, especially the indomitable Miss Hurstmann. On the other hand, many of the other characters seem otiose, and I found myself having to thumb back a few pages to sort out their identities. I see from the reviews here on Goodreads that is the first of a series, so perhaps the cast of thousands is there for a purpose, though I'm not sure I found any of them interesting enough to want to read an entire novel in which they take centre role -- apart from Miss Hurstmann, that is. Did turn out to be a long but enjoyable read and I was able to suspend disbelief long enough to avoid some of the surprisingly strong negative reactions experienced by other reviewers. This review is of “An Arranged Marriage”, book #1 in “The Company of Rogues” series by Jo Beverley. The book begins with the heroine of the book, Eleanor Chivenham, hiding in her room. Eleanor lives with her brother, Lionel, though not by choice. (After their father passed, his will left Eleanor under Lionel’s “protection” until she either turns 25-she is 23 when the book begins-or marries.) Lionel is a debauched reprobate, and for his latest act, he arranges for Eleanor to be raped by Kit Delane This review is of “An Arranged Marriage”, book #1 in “The Company of Rogues” series by Jo Beverley. The book begins with the heroine of the book, Eleanor Chivenham, hiding in her room. Eleanor lives with her brother, Lionel, though not by choice. (After their father passed, his will left Eleanor under Lionel’s “protection” until she either turns 25-she is 23 when the book begins-or marries.) Lionel is a debauched reprobate, and for his latest act, he arranges for Eleanor to be raped by Kit Delaney, Lord Stainbridge, while both he and Eleanor were under the influence of drugs and alcohol. She is later rescued by his twin brother, Nicholas Delaney, the hero of the book. Nicholas and Eleanor get married and begin their lives together. However, Nicholas spends a great deal of time away from her, which Eleanor suspects-with the help of overheard gossip-that Nicholas has a mistress. He does, but things are not quite that cut and dried. Later, Eleanor and a friend are kidnapped and released, Eleanor has her baby-a daughter-and Nicholas goes missing for a long time. Then, he returns, and Eleanor sends him away. Nicholas returns yet again, and this time he and Eleanor make their marriage work and have their Happily Ever After. Upside: It’s a Regency romance. Beyond that, I’ve got nothing. Downside: I’ve written this many times: In order for me to like a book, tv show, movie, etc, I have to like the characters. Beverley never made me care about Eleanor, Nicholas or the supporting characters. I didn’t find either Eleanor or Nicholas to be terribly likeable. I was really pissed off that after Eleanor’s rape, none of the guilty parties receive any punishment at all. Nicholas, in fact, welcomes Kit into his home and life with Eleanor with no regard to her feelings at all. The explanation of Nicholas’ frequent absences is so convoluted I found it impossible to understand. Sex: A couple of mild love scenes, which are hardly erotic. Violence: One killing at the beginning of the book. Eleanor’s rape. A few mild assaults. None of the violence is graphic. Bottom Line: There is little to nothing I can say good about “An Arranged Marriage”, except that I finished it. As I told one of my friends and co-workers when speaking about it: “I paid for it, so I’m going to finish it, come hell or high water.”. These four words summarize An Arranged Marriage and yet still don't do this book justice. Eleanor is a heroine tempered by the fires of all she endures. She suffers various atrocities and is a true survivor. Yet she never stumbles into bitterness or self-righteous ingratitude. Her trials forge her strong character into something more. She is no saint and she knows it, and by the end of this novel, you cheer with all your heart for her HEA. Nichola Complicated. These four words summarize An Arranged Marriage and yet still don't do this book justice. Eleanor is a heroine tempered by the fires of all she endures. She suffers various atrocities and is a true survivor. Yet she never stumbles into bitterness or self-righteous ingratitude. Her trials forge her strong character into something more. She is no saint and she knows it, and by the end of this novel, you cheer with all your heart for her HEA. Nicholas Delaney is a man who has lived a charmed life and is born to protect and smooth the path for others. I adored Nick. He was everything a hero should be: kind, loyal, noble, resourceful, intelligent and charismatic. His amazing generosity, and strong desire to please is what gets him into trouble. Still, I adored him, his capabilities, self-sacrificing stance and strong familial love. The only issue I had with this novel is that the villains all seemed to get away with their despicable actions. I suppose that is a realistic, those who are wicked meet their due at some point,just not always by the end of the book, and you (and those wronged) don't always get to have a front row view. There may be a few issues for some with this novel (and triggers such as sexual assault) and infidelity. The sensual scenes are not graphic and are tastefully done, and few and far between. So for those who don't care for it, you're good and those who enjoy loads of sex scenes, you will not get much. Otherwise, it is an excellent book and a skilled example of character development and how all is resolved. I truly enjoyed reading this novel from start to finish. I picked up the Rogue series through a recommendation on Julia Quinn's message boards. The recommendation either listed under the, 'Virgin Male' section or in the top 100. Now that I think about it, it probably was the top 100. Lol but the Virgin Male section sounds better. Like this series! The characters are often incredibly dense and make me want to scream but the progression of it all makes up for it a little. The thing about the Rogue novels is that all the couples in the book are inev I picked up the Rogue series through a recommendation on Julia Quinn's message boards. The recommendation either listed under the, 'Virgin Male' section or in the top 100. Now that I think about it, it probably was the top 100. Lol but the Virgin Male section sounds better. Like this series! The characters are often incredibly dense and make me want to scream but the progression of it all makes up for it a little. The thing about the Rogue novels is that all the couples in the book are inevitably married with the first few chapters or well on their way. Their marriages start off on the wrong foot and the love doesn't happen til the end which is a nice change. Jo Beverley references Georgette Heyer on many occasions as her inspiration so it's no surprise that her books all seem to enjoy the same complicated circumstances. An Arranged Marriage started off with a ludicrous concept. Eleanor Chivenham our heroine, is drugged one night and raped by The Earl of something. I forget now, because he was also drugged! Turns out her brother in an attempt to blackmail the Earl has drugged the pair of them in order to ruin Eleanor. In a bizzare twist, the Earl decides to fob the entire affair off onto his twin brother Nicholas who ends up being the one married to Eleanor. Our heroine is raped, then the old 'Sex as a Cure' stick is used. But still, the book is very untraditional in the sense that it begins with a rape, then marriage, adultery (on the Husband's side), kidnapping and a birth. Being book 1 of a series, Eleanor and Nicholas return often. Eleanor (h) is living with her brother, their parents have died and he is in control of her and her inheritance. When he comes up with a plan to get her portion of the inheritance, she finds herself drugged and raped. Thinking to end it all, she heads out to drown herself but the. Runs into the man who raped her.or was it his twin brother. She's offered an option that doesn't include doing herself in but rather a marriage of convenience. She jumps at it. Nicholas (H) doesn't know what to thin Eleanor (h) is living with her brother, their parents have died and he is in control of her and her inheritance. When he comes up with a plan to get her portion of the inheritance, she finds herself drugged and raped. Thinking to end it all, she heads out to drown herself but the. Runs into the man who raped her.or was it his twin brother. She's offered an option that doesn't include doing herself in but rather a marriage of convenience. She jumps at it. Nicholas (H) doesn't know what to thin k when he receives his brother's missive stating that he will marry or be disinherited. He has always come to his brother's rescue and this time it's no different. Except for the fact that he is working as a spy for his country and has to keep a mistress and keep her happy to fulfill his mission. It's not long before his carefully planned life starts to unravel. Mary Josephine Dunn was born 22 September 1947 in Lancashire, England, UK. At the age of eleven she went to an all-girls boarding school, Layton Hill Convent, Blackpool. At sixteen, she wrote her first romance, with a medieval setting, completed in installments in an exercise book. From 1966 to 1970, she obtained a degree in English history from Keele University in Staffordshire, where she met her Mary Josephine Dunn was born 22 September 1947 in Lancashire, England, UK. At the age of eleven she went to an all-girls boarding school, Layton Hill Convent, Blackpool. At sixteen, she wrote her first romance, with a medieval setting, completed in installments in an exercise book. From 1966 to 1970, she obtained a degree in English history from Keele University in Staffordshire, where she met her future husband, Ken Beverley. After graduation, they married on June 24, 1971. She quickly attained a position as a youth employment officer until 1976, working first in Newcastle-under-Lyme, Staffordshire, and then in West Bridgford, Nottinghamshire. In 1976, her scientist husband was invited to do post-doctoral research at Dalhousie University in Halifax, Nova Scotia, Canada. When her professional qualifications proved not to be usable in the Canadian labour market, and she grew up their two sons and started to write her first romances. Moved to Ottawa, in 1985 she became a founding member of the Ottawa Romance Writers’ Association, that her “nurturing community” for the next twelve years. The same year, she completed a regency romance, but it was promptly rejected by a number of publishers, and she settled more earnestly to learning the craft. In 1988, it sold to Walker, and was published as 'Lord Wraybourne's Betrothed'. She regularly appears on bestseller lists including the USA Today overall bestseller list, the New York Times, and and the Publishers Weekly list. She has been the recipient of numerous awards including the Golden Leaf, the Award of Excellence, the National Readers Choice, and a two Career Achievement awards from Romantic Times. She is also a five time winner of the RITA, the top award of the Romance Writers Of America, and a member of their Hall of Fame and Honor Roll. Jo Beverley passed away on May 23, 2016 after a long battle with cancer. ![]() The rapid rise and sudden collapse of many such stocks at the end of the 20th century raised questions about the sanity of a stock market that appeared to. In the search for precise valuations critical to investors, we find that some well-established principles work just fine, even for high-growth companies like tech start-ups. Updated look at financial modeling and Monte Carlo simulation with software by Oracle Crystal Ball This revised and updated edition of the bestselling book on financial modeling provides the tools and techniques needed to perform spreadsheet simulation. It answers the essential question of why risk analysis is vital to the decision-making process, for any problem posed in finance and investment. This reliable resource reviews the basics and covers how to define and refine probability distributions in financial modeling, and explores the concepts driving the simulation modeling process. It also discusses simulation controls and analysis of simulation results. The second edition of Financial Modeling with Crystal Ball and Excel contains instructions, theory, and practical example models to help apply risk analysis to such areas as derivative pricing, cost estimation, portfolio allocation and optimization, credit risk, and cash flow analysis. It includes the resources needed to develop essential skills in the areas of valuation, pricing, hedging, trading, risk management, project evaluation, credit risk, and portfolio management. Offers an updated edition of the bestselling book covering the newest version of Oracle Crystal BallContains valuable insights on Monte Carlo simulation-an essential skill applied by many corporate finance and investment professionalsWritten by John Charnes, the former finance department chair at the University of Kansas and senior vice president of global portfolio strategies at Bank of America, who is currently President and Chief Data Scientist at Syntelli Solutions, Inc. Risk Analytics and Predictive Intelligence Division (Syntelli RAPID) Engaging and informative, this book is a vital resource designed to help you become more adept at financial modeling and simulation. Praise for the previous edition 'Professor Charnes's book drives clarity into applied Monte Carlo analysis using examples and tools relevant to real-world finance. The book will prove useful for analysts of all levels and as a supplement to academic courses in multiple disciplines.' --Mark Odermann, Senior Financial Analyst, Microsoft 'Think you really know financial modeling? This is a must-have for power Excel users. Professor Charnes shows how to make more realistic models that result in fewer surprises. Every analyst needs this credibility booster.' --James Franklin, CEO, SendGrid 'This book packs a first-year MBA's worth of financial and business modeling education into a few dozen easy-to-understand examples. Crystal Ball software does the housekeeping, so readers can concentrate on the business decision. A careful reader who works the examples on a computer will master the best general-purpose technology available for working with uncertainty.' --Aaron Brown, Risk Manager, AQR Capital Management, and author of The Poker Face of Wall Street and Red-Blooded Risk 'Using Crystal Ball and Excel, John Charnes takes you step by step, demonstrating a conceptual framework that turns static Excel data and financial models into true risk models. I am astonished by the clarity of the text and the hands-on, step-by-step examples using Crystal Ball and Excel; Professor Charnes is a masterful teacher, and this is an absolute gem of a book for the new generation of analyst.' --Brian Watt, Chief Operating Officer, GECC, Inc. 'Financial Modeling with Crystal Ball and Excel is a comprehensive, well-written guide to one of the most useful analysis tools available to professional risk managers and quantitative analysts. This is a must-have book for anyone using Crystal Ball, and anyone wanting an overview of basic risk management concepts.' --Paul Dietz, Manager, Quantitative Analysis, Westar Energy 'John Charnes presents an insightful exploration of techniques for analysis and understanding of risk and uncertainty in business cases. By application of real options theory and Monte Carlo simulation to planning, doors are opened to analysis of what used to be impossible, such as modeling the value today of future project choices.' --Bruce Wallace, former Director of Technology Strategy and Investments, Nortel The Second Edition of Financial Modeling with Oracle(R) Crystal Ball and Excel(R)+ Website puts an emphasis on practical application. To that end, this book provides readers with exclusive access to a companion website filled with supplementary materials, allowing you to continue to learn in a hands-on fashion long after closing the book. John Charnes, PhD, MBA, is President of the Risk Analytics and Predictive Intelligence Division (RAPID) of Syntelli Solutions Inc. Prior to this, he was finance department chair at the University of Kansas and senior vice president of global portfolio strategies at Bank of America. Charnes created the Crystal Ball Training CD, a multimedia course on the basic elements of stochastic modeling with Crystal Ball, acquired by Oracle. His specialty is the application of computer simulation and statistical methods for identifying and solving business problems, including the use of simulation for option pricing and hedging with derivatives to comply with Financial Accounting Standard (FAS) 133. Article Actions • • • • • • It might feel positively retro to apply discounted-cash-flow valuation to hot start-ups and the like. But it’s still the most reliable method. For the past several years, investors have once again been piling into shares of companies with fast growth and high uncertainty—especially Internet and related technologies. The rapid rise and sudden collapse of many such stocks at the end of the 20th century raised questions about the sanity of a stock market that appeared to assign higher value to companies the more their losses mounted. Now, amid signs that the current tech boom is wobbling, even the US Securities and Exchange Commission is getting into the act, announcing in late 2015 its plans to investigate how mutual funds arrive at widely varying valuations of privately held high-tech companies. In the search for precise valuations critical to investors, we find that some well-established principles work just fine, even for high-growth companies like tech start-ups. Discounted-cash-flow valuation, though it may sound stodgily old school, works where other methods fail, since the core principles of economics and finance apply even in uncharted territories, such as start-ups. The truth is that alternatives, such as price- to-earnings or value-to-sales multiples, are of little use when earnings are negative and when there aren’t good benchmarks for sales multiples. More important, these shorthand methods can’t account for the unique characteristics of each company in a fast-changing environment, and they provide little insight into what drives valuation. Although the components of high-tech valuation are the same, their order and emphasis differ from the traditional process for established companies: rather than starting with an analysis of the company’s past performance, begin instead by examining the expected long-term development of the company’s markets—and then work backward. In particular, focus on the potential size of the market and the company’s market share as well as the level of return on capital the company might be able to earn. In addition, since long-term projections are highly uncertain, always value the company under different probability-weighted scenarios of how the market might develop under different conditions. Such techniques can help bound and quantify uncertainty, but they will not make it disappear: high-growth companies have volatile stock prices for sound reasons. What follows is an adaptation of analysis we published in 2015, using public data from 2014 and 2015. Marc Goedhart, Tim Koller, and David Wessels,, sixth edition, Hoboken, NJ: John Wiley & Sons, 2015. The analyses herein are presented as an exercise to illustrate the methodology. They are not meant as a commentary on the current market situation and should not be used as the basis for trading in the shares of any company. Start from the future When valuing high-growth companies, start by thinking about what the industry and company might look like as the company evolves from its current high-growth, uncertain condition to a sustainable, moderate-growth state in the future. Then interpolate back to current performance. The future state should be defined and bounded by measures of operating performance, such as customer-penetration rates, average revenue per customer, sustainable margins, and return on invested capital. Next, determine how long hypergrowth will continue before growth stabilizes to normal levels. Since most high-growth companies are start-ups, stable economics probably lie at least 10 to 15 years in the future. To demonstrate the valuation process for high-growth companies, let’s walk through an abbreviated, potential valuation of Yelp, a popular online site for reviewing local businesses, using public data about the company. In 2014, approximately 545 million unique visitors wrote 18 million reviews on 2 million businesses. As the company explains in its annual report, “These reviews are written by people using Yelp to share their everyday local business experiences, giving voice to consumers and bringing ‘word of mouth’ online.” Read more about. Originating in San Francisco, the company now serves around 150 cities around the world. Yelp’s revenues between 2009 and 2014 grew more than tenfold from just under $26 million to $378 million, representing a compound annual growth rate of 71 percent. (Revenues in 2015 were up 48 percent over the previous year as of the third quarter.) To estimate the size of the potential market, start by assessing how the company fulfills a customer need. Then determine how the company generates (or plans to generate) revenues. Understanding how a start-up makes money is critical. Many young companies build a product or service that meets the customer’s need but cannot identify how to monetize the value they provide. Yelp provides end users with an extensive online forum to review the experiences of other customers when selecting a local business. Although Yelp provides a convenient service to the customer, today’s Internet users often do not pay for online reviews. Although free reviews are commonplace today, this has not always been the case. As of this writing, professional reviewers such as the magazine Consumer Reports (for products) and Zagat (for restaurants) still charge for their service. Instead of charging the end customer, Yelp sells local advertising to businesses that register on the website. A basic listing is free, but the company offers paid services, such as enhanced listings with photos and video, a sponsored search (where the company appears early in the consumer’s search results), and a “call to action,” which allows the consumer to schedule an appointment or the business to provide a coupon. In 2014, that local advertising contributed $321 million of the company’s $378 million in revenues. Two other sources of revenues, brand advertising and other services, allow companies to purchase general advertisements and conduct transactions. Both are growing rapidly, but they continue to be a smaller part of annual revenues. Using these revenue drivers as a guide, start your valuation by estimating the potential market, product by product. For the purpose of exposition, this article examines only one source of revenues for Yelp in detail: local advertising, which generates the bulk of the company’s revenues. Size the market Although Yelp management rightfully touts its unique visitors and growing base of customer reviews, what really matters from a valuation perspective is its ability to convert local businesses into Yelp clients. Start with estimating how many local businesses are in Yelp’s target markets, how many businesses will register with Yelp, and how many of those businesses will convert to its paid services. There are approximately 66 million small and midsize businesses in Yelp’s target markets. Yelp investor presentation, 2014. As of 2014, the company had registered 2 million businesses on its site. Of the businesses that registered, only 84,000 were paying clients. With 1 percent market penetration, there is plenty of room for growth (exhibit). To build a revenue forecast, first estimate the number of business that might register with Yelp. We estimate both historical and future registration rates by analyzing Yelp’s historical data. Since registration is free and Yelp is well known, we model penetration, for this exercise, to reach 60 percent. That translates to 8.5 million registered businesses by 2023. For most start-ups, forecasting a 60 percent share is extremely aggressive, since additional competition is likely to enter the market. One piece of data pointing to the potential of a 60 percent share is the restaurant-reservation company OpenTable. Before being acquired by Priceline.com in 2014, OpenTable reported that it had exceeded a 60 percent share in San Francisco. For this business, however, it is reasonable to assume that the largest company is likely to capture a significant portion of the online market—since businesses desire an advertising partner that generates the most traffic, and consumers desire a website with the most reviews. In that way, this business is similar to others with a community of users that reinforces the use of the product, such as Microsoft’s Windows operating system, which still retains more than 80 percent of its market. With registered businesses in hand, next estimate the conversion rate from basic (free) to enhanced (pay) services. To estimate this number, we analyzed data from cohorts of Yelp’s markets based on entry dates to annual conversion rates the company has reported. Based on historical data, we project that Yelp’s penetration rate will grow from 4 to 5 percent as the cohorts mature. This number is quite conservative, but historical data have not pointed to much movement over time, even for Yelp’s earliest markets. Would you like to learn more about our? Complete the forecast by estimating revenues per client. Again, data from early markets are relatively stable, averaging near $3,800 per business. Assuming average revenue per paying business increases at 3 percent per year leads to revenue of $5,070 per business by 2023. Multiplying the number of paying clients in 2023 (423,000) by the average revenue per business leads to estimated total local-advertising revenue of $2.2 billion in 2023. Adding estimates of revenues for brand advertising and other services yields an estimate of total 2023 revenues of $2.4 billion. Next, we test our revenue estimate by examining potential market share in 2023. BIA/Kelsey, a research and advisory company that focuses on local advertising, estimated that local businesses spent $132.9 billion on advertising in 2013, of which $26.5 billion was placed online. “BIA/Kelsey forecasts overall US local media ad revenues to reach $151.5B in 2017, lifted by faster growth in online/digital,” November 19, 2013, biakelsey.com. Between 2013 and 2017, the research company expects online advertising to grow by 14 percent per year, to $44.5 billion. Assuming that number grows by 5 percent per year, we estimated total online-advertising revenues will come to $60 billion in 2023. Although search engines such as Google are likely to continue to capture the lion’s share of this market, there is still room for Yelp to capture a portion of local advertising. Our estimate for Yelp in this exercise translates to a potential market share of 4 percent by 2023. Estimate operating margin, capital intensity, and return on invested capital With a revenue forecast in hand, the next step is to forecast long-term operating margins, required capital investments, and return on invested capital (ROIC). Since Yelp’s current margins as a fast-growing start-up are not indicative of its likely long-term margins, it is important to examine the fundamentals of its business model and look to companies with similar business models. OpenTable is another high-growth company actively serving businesses in local markets. OpenTable provides reservation services for restaurants. Similar to Yelp, the company generates revenue by deploying a dedicated sales team to local restaurants to encourage enrollment. OpenTable’s management forecast that, when mature, it would reach operating profit margins of about 25 percent. Combined with our revenue forecast, this margin projection would translate to a potential growth in operating profit from a loss of $8.1 million in 2013 to a profit of $619 million in 2023. But are these forecasts realistic? To address this question, examine other software companies that provide a similar conduit between consumers and businesses, funded by businesses. The key value drivers for Google, LinkedIn, and Monster Worldwide, though not a perfect comparison, offer some insight into what is possible. If Yelp can match Google, perhaps 25 percent operating margins are not unrealistic. But not every business-to-business Internet company has been able to maintain such healthy margins. For instance, Monster Worldwide generated operating margins near 30 percent prior to 2010, but it has watched margins erode under competitive pressure. In 2013, domestic margins hovered near 15 percent, and the company’s overall margin declined below 10 percent. Success with consumers by no means assures ongoing success with the businesses and, by extension, with financial results. To estimate future cash flow, we also had to forecast capital requirements. Most businesses require significant capital to grow. This is not the case for many Internet companies. In 2014, Yelp required only $92 million of capital on $378 million of revenues, or 24 percent. Unlike traditional companies, which often consume significant capital as they grow, Internet companies require little fixed equipment; most of the capital resides in short-term assets such as accounts receivable. To create cash flow for Yelp, we maintained this percentage of invested capital to revenue, which is also in line with Google, LinkedIn, and Monster Worldwide. With high operating margins and little invested capital, ROIC is so high that it is no longer a useful measure. But what about the competition? If ROIC is so high, shouldn’t competitors enter and eventually force prices down? Perhaps, but Yelp’s real capital resides in intangibles such as brand and distribution capabilities, and these are not easily captured using today’s financial statements. Work backward to current performance Having completed a forecast for total market size, market share, operating margin, and capital intensity, it is time to reconnect the long-term forecast to current performance. To do this, you have to assess the speed of transition from current performance to future long-term performance. Estimates must be consistent with economic principles and industry characteristics. For instance, from the perspective of operating margin, how long will fixed costs dominate variable costs, resulting in low margins? Concerning capital turnover, what scale is required before revenues rise faster than capital? As scale is reached, will competition drive down prices? Often the questions outnumber the answers. To determine the speed of transition from current performance to target performance, we examined the historical progression for similar companies. Unfortunately, analyzing historical financial performance for high-growth companies is often misleading, because long-term investments for high-growth companies tend to be intangible. Under current accounting rules, these investments must be expensed. Therefore, accounting profits are likely to be understated relative to the true economic profits. With so little formal capital, many Internet companies have high ROIC figures as soon as they become profitable. Consider Internet retailer Amazon. In 2003, the company had an accumulated deficit (the opposite of retained earnings) of $3.0 billion, even though revenues and gross profits (revenues minus direct costs) had grown steadily. How could this occur? Marketing- and technology-related expenses significantly outweighed gross profits. In the years between 1999 and 2003, Amazon expensed $742 million in marketing and $1.1 billion in technology development. In 1999, Amazon’s marketing expense was 10 percent of revenue. In contrast, Best Buy spends about 2 percent of revenue for advertising. One might argue that the eight-percentage-point differential is more appropriately classified as a brand-building activity, not a short-term revenue driver. Consequently, ROIC overstates the potential return on capital for new entrants because it ignores historically expensed investment. Develop weighted scenarios A simple and straightforward way to deal with uncertainty associated with high-growth companies is to use probability-weighted scenarios. Even developing just a few scenarios makes the critical assumptions and interactions more transparent than other modeling approaches, such as real options and Monte Carlo simulation. To develop probability-weighted scenarios, estimate a future set of financials for a full range of outcomes, some optimistic and some pessimistic. For Yelp, we developed three potential scenarios for 2023. In our first scenario, revenues grow to $2.4 billion on roughly 423,000 converted accounts with margins that match Google’s. In our second scenario, we assume that Yelp progresses much better than expected. Registrations for free accounts follow the base-case scenario, but the company doubles its conversion rate from 5 to 10 percent, leading to nearly a half million accounts and approximately $4.6 billion in revenue. In this scenario, the company continues its path to profitability, with margins comparable to Google’s. This is an optimistic estimate based on past performance, but a 10 percent conversion rate is by no means implausible. The last scenario assumes that Yelp generates less than $1.2 billion in revenue by 2023 because the international expansion goes poorly. Without expected revenue growth, margins grow to just 14 percent, matching Monster Worldwide’s domestic business. To derive current equity value for Yelp, weight the intrinsic equity valuation from each scenario ($5.0 billion for the high case, $3.4 billion for the base case, and $1.3 billion for the low case) by its estimated likelihood of occurrence, and sum across the weighted scenarios. Based on our illustrative probability assessments of 10 percent, 60 percent, and 30 percent, respectively, for the three scenarios, we estimate Yelp’s equity value at $2.9 billion and value per share at $39. During the first half of 2015, when this example was updated, Yelp’s shares were trading between $40 and $50 per share. In the second half of the year, one of the cofounders announced his departure, and Yelp announced that growth would be slower than anticipated, leading to a substantial drop in the share price. As with any valuation of fast-growing companies, markets are volatile and susceptible to the mood of the market. Whether this price is appropriate depends on your confidence in the forecasts and their respective probabilities. Were they too optimistic, too pessimistic, or just right? Scenario probabilities are unobservable and highly subjective. If the probability of occurrence for the most pessimistic scenario were ten percentage points higher, Yelp’s estimated value would be more than 10 percent lower. For start-up companies with promising ideas but no actual businesses, the sensitivities can be significantly higher. Take, for example, a start-up company that needs to invest $50.0 million to build a business that could be worth $1.2 billion with a probability of 5 percent and completely worthless otherwise. Its estimated value today would be $10.0 million. But if the probability of success were to fall by just half a percentage point, its value would decline by more than half. It should be no surprise that the share prices of start-up and high-growth companies are typically far more volatile when compared with companies with mature businesses. As a result, understanding what drives the value of the underlying business across the scenarios is more important than trying to come up with a single-point valuation. A careful analysis of Yelp’s business following the lines laid out above helps. For Yelp, the growth of the advertising market and the market share it could attain are important— but they can be forecasted within a reasonable range (and don’t differ that much across scenarios). More critical—and harder to predict—are the conversion rates to paid-service accounts and the average revenues per account that Yelp realizes in coming years. Conversion rates and revenues per account are the key value drivers for Yelp. About the author(s) Marc Goedhart is a senior expert in McKinsey’s Amsterdam office, and Tim Koller is a principal in the New York office; David Wessels is an adjunct professor of finance and a director of executive education at the Wharton School of the University of Pennsylvania. This article is excerpted from Marc Goedhart, Tim Koller, and David Wessels,, sixth edition, Hoboken, NJ: John Wiley & Sons, 2015. The book can be ordered at wiley.com. Article Actions • • • • • •. Super Mario Bros. 1-3 is a perfect port of the classic Mario games to the Android platform, offering flawless audio and gameplay. It almost feels like Nintendo finally ported the games to Android tablets, as many have been clamoring for. It helps to play it with a dedicated controller for the most pure experience, though. The app comes loaded with the dreaded Airpush, which will pop ads all over your browser. Super Smash Bros. Is a series of crossover fighting games published by Nintendo, that primarily features characters from franchises established on its systems. Download Super Mario Bros X free. A massive fan remake of Super Mario Bros. With two player co-op action. If you can't get enough of Mario games, then you should try this fan-made tribute game to Super Mario. Super Mario Bros X is a combination of almost every Mario games. I have to say this game is very nostalgic and fun to play. What I like about this game is that it has lots of power-ups that you can use such as Hammer Suit,. ![]() Feb 27, 2014. So I have a friend who wants to download SMBX, but he has a Mac, and I can't seem to find anything as far as Mac downloads for SMBX. Can it be downloaded on a Mac? If so, I'd love a d-link. Keddy: Ripper II Ripper II: Posts: 357: Joined: Sat Dec 21, 2013 11:56. Once you're in the app, it features a very boring menu to help you travel to each game. The games all have the menus you're used to, though. The game's sound effects and music sound exactly like they would on the console. You control your plumber with onscreen buttons on the left and right edges of the screen. This forces you to hold your smartphone just like an NES controller, which is a nice touch. However, the transparent buttons blend into the game's scenery a lot, which makes them a pain to press. There are some added goodies to Super Mario Bros. 1-3 like a screenshot tool and the ability to save and load a new game. Sadly, some of the secrets you'd find in the game--like kicking bricks in Super Mario 3 to grab mushrooms and feathers--are hit or miss. Those are the only things in these ports that don't feel like the original games. If your tablet has replaced your DS, these games are a great download to add to your collection. Super Mario Bros. 1-3 is good enough to make even pro gamers think they're the real deal. From Classic FC Game - Super Mario Bros 1-3 Super Mario Bros is a 1985 platform video game developed by Nintendo, published for the Nintendo Entertainment System as a pseudo-sequel to the 1983 game Mario Bros. It is the first of the Super Mario series of games. In Super Mario Bros., the player controls Mario and in a two-player game, a second player controls Mario's brother Luigi as he travels through the Mushroom Kingdom in order to rescue Princess Peach from the antagonist Bowser. The success of Super Mario Bros. Has caused it to be ported to almost every one of Nintendo's major gaming consoles. In late 2010, as part of the 25th anniversary of the game's release, Nintendo released special red variants of the Wii and Nintendo DSi XL consoles in differently re-packaged, Mario-themed, and limited edition bundles in all regions. Super Mario Bros. X 1.3.0.1 The greatest fan-made tribute to Super Mario of all time! • Five playable characters including: Peach, Toad, and Link • Over 60 cleverly designed levels in the two default episodes • Easy to use, real-time level editor with thousands of objects to choose from • Both classic and brand new power ups such as Yoshi and The Billy Gun • Two player co-op action with an intelligent camera that splits and combines • An intense battle mode that will leave you coming back for more. Super Mario Bros. X 1.3.0.1 is a massive Mario fangame that blends elements from Super Mario 1, 2, 3 and World. It has many power ups, such as the Ice Flower, Hammer Suit, Tanooki Suit, Kuribo's shoe, The Billy Gun, and Yoshi. You can also play the game with a friend in the 2 player co-op mode, where the screen seamlessly splits and combines as the players separate and rejoin. This fangame is most notable for its extensive level editor that allows you to create almost any kind of level that you can imagine. The real time editor lets you edit the level while playing it! You can also create your own episode using either the SMB3 or SMW styled world map, or you can create a Mario 64 style hub level and have the players collect stars to advance. ![]() Download Answer Key for Al-Kitaab fii Ta callum al-cArabiyya A Textbook for Beginning Arabic: Part 1, 3rd Edition (Arabic Edition) Ebook Online PDF/EPUB Read Previews: This answer key is to be used with Al-Kitaab fii Ta callum al-cArabiyya: A Textbook for Beginning Arabic: Part One, Third Edition. Please note that this answer key is only useful to students and teachers who are NOT using the companion website, which includes self-correcting exercises. This second edition includes one DVD bound into the book that feature contextualized vocabulary, cultural background and illustrations, and new listening comprehension materials with each lesson. Newly recorded colloquial audio and video materials also accompany each lesson and continue the story of Maha and Khalid and their travels to Cairo with brief explanatory vocabula This second edition includes one DVD bound into the book that feature contextualized vocabulary, cultural background and illustrations, and new listening comprehension materials with each lesson. Newly recorded colloquial audio and video materials also accompany each lesson and continue the story of Maha and Khalid and their travels to Cairo with brief explanatory vocabulary and notes provided in the text. The appendices include grammatical reference charts, an Arabic-English glossary, and a grammar index. Stu- dents who complete Part Three should reach an advanced-high to superior level of proficiency. AL-kitaaB fii ta caLLuM aL-caraBiyya witH dvds a textbook for arabic: Part two second edition. 452 pp., 2005. ISBN 978-1-58901-096-3, paper w/ 3 DvDs, $59.95 answer key to aL-kitaaB, Part two second edition. 76 pp., 2006. American Council of Teachers of Foreign Languages (ACTFL) is available. Al-Kitaab fii Ta c allum al- c. Arabiyya: A Textbook for Intermediate Arabic Part One. Washington, D.C.: Georgetown. University Press. Second edition. Use of the Answer Key in doing the homework is a violation of the Honor Code and. The materials cover approximately 150 contact hours of instruction, and students who complete Part Two should reach advanced proficiency. Each lesson in Part Two centers on a text that deals with a social, historical, literary, or cultural issue. In addition to the main reading text, students will also find additional authentic texts for reading and listening comprehension, vocabulary and grammar exercises, close listening and speaking activities, and cultural background for the reading. The revised and repackaged Part Two has been restructured to reflect pedagogical developments over the last eight years, updated with new authentic reading and listening texts, and expanded with new video materials. In addition to the speaking, listening, and writing skills emphasized throughout each lesson, more time and emphasis is placed on activating vocabulary and structure with new activities for inside and outside the classroom. Many students, teachers, and Amazon reviewers are not fans of Al Kitaab, the most widely-used book used (in English speaking countries, at least) for teaching/learning Arabic at an intermediate level. Initially I, too, was frustrated by its structure and methods--as well as by the fact that the CD menus are entirely in Arabic, and many of the chapter contents as well. I've come to increasingly appreciate this book as a *method* for teaching where each chapter builds on vocabulary and concepts pre Many students, teachers, and Amazon reviewers are not fans of Al Kitaab, the most widely-used book used (in English speaking countries, at least) for teaching/learning Arabic at an intermediate level. Initially I, too, was frustrated by its structure and methods--as well as by the fact that the CD menus are entirely in Arabic, and many of the chapter contents as well. I've come to increasingly appreciate this book as a *method* for teaching where each chapter builds on vocabulary and concepts previously discussed. It's very comprehensive and detailed, despite a few inaccuracies (according to native speaking teachers--I can't tell!) Trying to self-study with it, however, is very difficult, so the big caveat is THIS BOOK SHOULD BE USED IN CONJUCTION WITH A GOOD CLASS AND TEACHER! Given that when learning another language one inevitably comes across linguistic/grammatical concepts that one bridles at for being 'illogical', a good teacher can explain these concepts more fully; the grammatical/stylistic explanations, though very detailed, are often confusing, It's also helpful to thoroughly learn (at least study!) the concepts and vocabulary in each chapter before moving on to the next one, since this book is structured very particularly, and the experience is definitely cumulative. Two negatives of Al-kitab are 1) is the CD which is near-IMPOSSIBLE to use on a Mac or PC! You can't rewind or stop without crashing the player, which is enormously frustrating, because it seems to have good audio and information, but I ended up not listening to much of it because the UI drove me crazy. 2) Many of the readings in each chapter are boring and dated--it really needs an update for more modern learners. I used the whole Al-Kitaab series in college when studying Arabic. I have also studied French & am currently studying Japanese. The Al-kitaab series is organized in a manner unlike any other language textbook I have ever used - and not in a good way. Usually textbooks try to introduce words that are related to each other - for example, vocabulary related to grocery shopping & various foods. The Al-kitaab books, instead, will introduce a bunch of seemingly random words. Some are related, I used the whole Al-Kitaab series in college when studying Arabic. I have also studied French & am currently studying Japanese. The Al-kitaab series is organized in a manner unlike any other language textbook I have ever used - and not in a good way. Usually textbooks try to introduce words that are related to each other - for example, vocabulary related to grocery shopping & various foods. The Al-kitaab books, instead, will introduce a bunch of seemingly random words. Some are related, most are not. The vocabulary words they introduce in each chapter are from the main reading in each chapter, which, is great, but I was asking questions like, 'if this is the word for 'left,' what is the word for 'right'?' I also found the reading sections a bit strange. You need a really good professor in order to really gain a good understanding of the Arabic language with these books. I don't recommend the series, but, they are the most widely used and from everything I've heard, they're the 'best' series there is? Which is sad. One of the best books to learn Arabic from. Of course it's not good enough to allow you to learn it on your own without prior knowledge of the language, but when used together with class, it's great. It has excellent explanations of how to pronounce the various sounds, how to write the letters, and gives various lessons on cultures and the difference between dialects. FYI.It is Egyptian dialect. If you want to learn Arabic, classical is best. But Egyptian is the second most recognized dialects One of the best books to learn Arabic from. Of course it's not good enough to allow you to learn it on your own without prior knowledge of the language, but when used together with class, it's great. It has excellent explanations of how to pronounce the various sounds, how to write the letters, and gives various lessons on cultures and the difference between dialects. FYI.It is Egyptian dialect. If you want to learn Arabic, classical is best. But Egyptian is the second most recognized dialects since most of the Arab movies come from Egypt. Dive deep into Ferdinand de Saussure's Course in General Linguistics with extended analysis, commentary, and discussion. Langue (French, meaning 'language') and parole (meaning 'speaking') are linguistic terms distinguished by Ferdinand de Saussure in his Course in General Linguistics. ![]() Excerpt All those who had the privilege of participating in his richly rewarding instruction regretted that no book had resulted from it. After his death, we hoped to find in his manuscripts, Obligingly made available to us by Mme. De Saussure, a faithful or at least an adequate outline of his inspiring lectures. At first we thought that we might simply collate F. De Saussure's personal notes and the notes Of his students. We were grossly misled. We found nothing — or almost nothing — that resembled his students' note books. As soon as they had served their purpose, F. De Saussure destroyed the rough drafts of the outlines used for his lectures. In the drawers of his secretary we found only Older outlines which, although certainly not worthless, could not be integrated into the material of the three courses. Our discovery was all the more disappointing since professorial duties had made it impossible for us to attend F. De Saussure's last lectures — and these mark just as brilliant a step in his career as the much earlier one that had witnessed the appearance of his treatise on the vocalic system of proto-indo — European. Book Details PIBN 10009049 ISBN 978-1-330-03358-6 ISBN (Cloth) 978-1-5279-4298-1 Language English Category Pages 256 Words 81786 Vocabulary 5204 Books you might also like. Langue (, meaning ') and parole (meaning ') are terms distinguished by in his. Langue encompasses the abstract, systematic rules and conventions of a; it is independent of, and pre-exists, individual users. Langue involves the principles of language, without which no meaningful utterance, 'parole', would be possible. Parole refers to the concrete instances of the use of langue. This is the individual, personal phenomenon of language as a series of made by a linguistic subject. Saussure did not concern himself overly with parole; however, the structure of langue is revealed through the study of parole. The distinction is similar to that made about language by, between energeia (active doing) and ergon (the product of that doing). Saussure drew an analogy to chess to explain the concept of langue and parole. He compared langue to the —the norms for playing the game—and compared the moves that an individual chooses to make—the individual's preferences in playing the game—to the parole. • de Saussure, F. Course in general linguistics (3rd ed.). Harris, Trans.). Chicago: Open Court Publishing Company. (Original work published 1972). • 'Language as a finished product, a set of tools forged for future use, is in fact a precipitate of the ongoing activity. It is created in speech, and is in fact being continuously recreated, extended, altered, reshaped. This Humboltdian notion is the basis for another famous contribution of Saussure, his distinction between langue and parole.' Charles Taylor, The Importance of Herder, 'Philosophical Arguments' (Harvard University Press, 1997), 97. Thank you for using our software library. To download the product you want for free, you should use the link provided below and proceed to the developer's website, as this is the only legal source to get YAMAHA Musicsoft Downloader. However, we must warn you that downloading YAMAHA Musicsoft Downloader from an external source releases FDM Lib from any responsibility. Please carefully check your downloads with antivirus software. FDM Lib shall include an option for direct download from developers, should it become available in the future. YAMAHA Musicsoft Downloader 5.7.3 can be downloaded from our website for free. This download was checked by our built-in antivirus and was rated as virus free. The most popular versions of the YAMAHA Musicsoft Downloader are 5.7, 5.6 and 5.5. The actual developer of the free software is YAMAHA Corporation. Commonly, this program's installer has the following filenames: MSFDM.exe and MSD.exe etc. The program lies within System Utilities, more precisely File Managers. This PC program works fine with 32-bit versions of Windows XP/Vista/7/8/10. ![]() The MusicSoft Downloader program is a free application which can be used to transfer files to and from Yamaha's instruments through a MIDI or USB-MIDI connection. It also allows music content to be downloaded from the internet in a secure environment. You may want to check out more software, such as Yamaha Steinberg USB Driver, YAMAHA Studio Manager for 01V96 or Yamaha MEGAEnhancer, which might be to YAMAHA Musicsoft Downloader. ![]() The settings of Yamaha 'MusicSoft Downloader' (the software used to copy files from a PC to a Yamaha keyboard) displays the connection as a 'USB Audio Device', however I cannot browse the keyboard's internal memory in order to copy MIDI files over. This is without having installed any drivers yet, and. Oct 23, 2016 - 4 min - Uploaded by A&S MUSICA&S MUSIC Venta de audio e instrumentos musicales Aqui les dejo el link Si les fue de ayuda. Dec 10, 2017. YAMAHA Musicsoft Downloader (MSFDM.exe). The MusicSoft Downloader program is a free application which can be used to transfer files to and from Yamaha's instruments through a MIDI or USB-MIDI connection. It also allows music content to be downloaded from the internet in a secure environment. Thank you for your interest in Yamaha. 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